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50 years at ringside

by Nat Fleischer

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EPUB

Description

"50 years at ringside" by Nat Fleischer is an autobiography written in the mid-20th century. It charts a half-century of boxing as witnessed by a premier sportswriter and editor, weaving ringside reportage with backstage portraits of champions, promoters, and the sport’s mix of glory, controversy, and underworld entanglements.

The opening of the memoir presents a foreword lauding Fleischer as the Pepys of boxing, then his own declaration of faith in the sport’s “drama” and a brief résumé of his global credentials. He recalls an athletic East Side boyhood, his first great newsroom triumph covering the Titanic disaster, and vivid encounters with Theodore Roosevelt, who championed boxing’s virtues. He describes pushing the Army to lower height requirements so he could serve in the First World War, then laments returning to find much of his prized fight memorabilia given away. Nostalgic sketches of old New York and Madison Square Garden blend spectacle with grit—six-day races, star track men, police raids on pickpockets, distance-swim stunts, and dangerous late-night reporting, including witnessing a stabbing. He then confronts boxing’s criminal ties, from Tammany fixers to a tense, gun-guarded visit to Al Capone’s estate, and details his exposé of an extortion fund tied to the Rosenthal case. Book Two begins by profiling “Millionaire Kid” amateur great Warren Barbour and shifts to a colorful portrait of ferocious middleweight Stanley Ketchel—his generosity, killer instinct, and mischievous snipe-hunt pranks—before the narrative pauses mid–fight setup. (This is an automatically generated summary.)

Summary

"50 years at ringside" by Nat Fleischer is an autobiography written in the mid-20th century. It charts a half-century of boxing as witnessed by a premier sportswriter and editor, weaving ringside reportage with backstage portraits of champions, promoters, and the sport’s mix of glory, controversy, and underworld entanglements. The opening of the memoir presents a foreword lauding Fleischer as the Pepys of boxing, then his own declaration of faith in the sport’s “drama” and a

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