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Alice, or the Mysteries — Complete

by Edward Bulwer Lytton, Baron Lytton

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This novel is a prose work of British literature, composed in the form of a narrative that combines elements of romance and social commentary. It portrays the domestic life and personal relationships of Lady Vargrave and her daughter Evelyn, set against the tranquil backdrop of a Devonshire cottage. The story explores themes of love, societal expectations, and individual development, with particular focus on Evelyn's engagement to Lord Vargrave and her limited exposure to the wider world.

Written during the mid-19th century, the narrative reflects Victorian-era concerns with morality, social class, and personal duty. The opening scenes depict an atmosphere of contemplative serenity, establishing the characters’ relationships and societal positions through dialogue and description. The work provides insight into contemporary ideas of gender roles, marriage, and social obligations within a rural setting.

From the opening pages

IT was towards the evening of a day in early April that two ladies were seated by the open windows of a cottage in Devonshire. The lawn before them was gay with evergreens, relieved by the first few flowers and fresh turf of the reviving spring; and at a distance, through an opening amongst the trees, the sea, blue and tranquil, bounded the view, and contrasted the more confined and home-like features of the scene. It was a spot remote, sequestered, shut out from the business and pleasures of the world; as such it suited the tastes and character of the owner. That owner was the younger of the ladies seated by the window. You would scarcely have guessed, from her appearance, that she was more than seven or eight and twenty, though she exceeded by four or five years that critical boundary in the life of beauty. Her form was slight and delicate in its proportions, nor was her countenance the less lovely because, from its gentleness and repose (not unmixed with a certain sadness) the coarse and the gay might have thought it wanting in expression. For there is a stillness in the aspect of those who have felt deeply, which deceives the common eye,—as rivers are often alike tranquil and profound, in proportion as they are remote from the springs which agitated and swelled the commencement of their course, and by which their waters are still, though invisibly, supplied. The elder lady, the guest of her companion, was past seventy; her gray hair was drawn back from the forehead, and gathered under a stiff cap of quaker-like simplicity; while her dress, rich but plain, and of no very modern fashion, served to increase the venerable appearance of one who seemed not ashamed of years. "My dear Mrs. Leslie," said the lady of the house, after a thoughtful pause in the conversation that had been carried on for the last hour, "it is very true; perhaps I was to blame in coming to this place; I ought not to have been so selfish." "No, my dear friend," returned Mrs. Leslie, gently; "selfish is a word that can never be applied to you; you acted as became you,—agreeably to your own instinctive sense of what is best when at your age,—independent in fortune and rank, and still so lovely,—you resigned all that would have attracted others, and devoted yourself,…

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