All quiet on the Western Front
- Language
- EN
- Format
- EPUB
- Size
- 386 KB
Description
Set during World War I, Erich Maria Remarque's semi-autobiographical novel portrays the harrowing experiences of German soldiers on the Western Front. First published in 1928, the narrative centres on Paul Bäumer, a young soldier who witnesses the brutal realities of trench warfare. The book provides a detailed account of the physical and psychological trauma inflicted by combat, highlighting the disconnection between soldiers and civilian life. Through descriptions of relentless battles, loss of comrades, and the erosion of their humanity, the novel offers a stark portrayal of the war’s devastating impact on individual soldiers.
The work belongs to German literature and reflects the author's aim to depict the true horrors of war. It critiques the romanticised notions of patriotism and heroism often associated with conflict, instead emphasising the suffering and disillusionment of those on the front lines. As a reflection of post-World War I sentiments, the book remains a significant account of the human cost of warfare.
The work belongs to German literature and reflects the author's aim to depict the true horrors of war. It critiques the romanticised notions of patriotism and heroism often associated with conflict, instead emphasising the suffering and disillusionment of those on the front lines. As a reflection of post-World War I sentiments, the book remains a significant account of the human cost of warfare.
From the opening pages
flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible—— Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way—they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one—they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give
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