Dombey and Son
- Language
- EN
- Format
- EPUB
- Size
- 7.2 MB
Description
Set in Victorian England during the mid-19th century, Charles Dickens's novel examines the social and familial dynamics surrounding a wealthy shipping merchant and his family. Published in serial form between 1846 and 1848, the work portrays the life of Paul Dombey, a businessman fixated on the birth of a male heir to carry on his enterprise. His obsession leads him to neglect his daughter, Florence, highlighting themes of parental rejection and gender expectations prevalent in the period. The narrative explores the consequences of pride and emotional neglect as Dombey faces personal tragedy, subsequent failed marriages, and the disintegration of his family.
The novel offers a detailed depiction of Victorian social stratification and moral values through the personal struggles of its characters. Dickens critically examines the effects of social ambitions and familial bonds, illustrating how personal flaws and societal pressures impact individual lives within the context of 19th-century Britain.
The novel offers a detailed depiction of Victorian social stratification and moral values through the personal struggles of its characters. Dickens critically examines the effects of social ambitions and familial bonds, illustrating how personal flaws and societal pressures impact individual lives within the context of 19th-century Britain.
From the opening pages
sat in the corner of the darkened room in the great arm-chair by the bedside, and Son lay tucked up warm in a little basket bedstead, carefully disposed on a low settee immediately in front of the fire and close to it, as if his constitution were analogous to that of a muffin, and it was essential to toast him brown while he was very new. Dombey was about eight-and-forty years of age. Son about eight-and-forty minutes. Dombey was rather bald, rather red, and though a handsome well-made man, too stern and pompous in appearance, to be prepossessing. Son was very bald, and very red, and though (of course) an undeniably fine infant, somewhat crushed and spotty in his general effect, as yet. On the brow of Dombey, Time and his brother Care had set some marks, as on a tree that was to come down in good time—remorseless twins they are for striding through their human forests, notching as they go—while the countenance of Son was crossed with a thousand little creases, which the same deceitful Time would take delight in smoothing out and wearing away with the flat part of his scythe, as a preparation of the surface for his deeper operations. Dombey, exulting in the long-looked-for event, jingled and jingled the heavy gold watch-chain that depended from below his trim blue coat, whereof the buttons sparkled phosphorescently in the feeble rays of the distant fire. Son, with his little fists curled up and clenched, seemed, in his feeble way, to be squaring at existence for having come upon him so unexpectedly. “The House will once again, Mrs Dombey,” said Mr Dombey, “be not only in name but in fact Dombey and Son;” and he added, in a tone of luxurious satisfaction, with his eyes half-closed as if he were reading the name in a device of flowers, and inhaling their fragrance at the same time; “Dom-bey and Son!” The words had such a softening influence, that he appended a term of endearment to Mrs Dombey’s name (though not without some hesitation, as being a man but little used to that form of address): and said, “Mrs Dombey, my—my dear.” A transient flush of faint surprise overspread the sick lady’s face as she raised her eyes towards him. “He will be christened Paul, my—Mrs Dombey—of course.” She feebly echoed, “Of course,” or rather expressed it by the
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