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Forty years of 'Spy'

by Leslie, Sir Ward

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Set in the late 19th and early 20th centuries, Sir Ward Leslie's memoir reflects on a life deeply embedded within the British art scene and social circles of the Victorian and Edwardian periods. The work details his experiences as a caricaturist for "Vanity Fair" and provides insights into the artistic and cultural milieu of the era. It includes personal recollections of relationships with prominent figures such as Wilkie Collins, as well as interactions with various artists from the Pre-Raphaelite and Post-Impressionist movements.

The narrative begins with Leslie Ward’s childhood and family background in an artistic lineage, recounting formative memories and encounters with influential personalities. Throughout, the memoir illustrates the vibrant social and artistic environment of Britain during this period, offering a perspective on the connections between art, society, and individual lives during a time of significant cultural change.

From the opening pages

win a useful prize.—Alban Doran.—My father's frescoes.—Battle Abbey.—Gainsborough's Tomb.—Knole.—Our burglar.—Claude Calthrop.—Clayton Calthrop.—The Gardener as Critic.—The Gipsy with an eye for colour.—I attempt sculpture.—The Terry family.—Private theatricals.—Sir John Hare.—Miss Marion Terry.—Miss Ellen Terry.—Miss Kate Terry.—Miss Bateman.—Miss Florence St. John.—Constable.—Sir Howard Vincent.—I dance with Patti.—Lancaster Gate and Meringues.—Prayers and Pantries. 27 MY FATHER'S FRIENDS My father's friends.—The Pre-Raphaelites.—Plum-box painting.—The Victorians.—The Post-Impressionists.—Maclise.—Sir Edwin Landseer.—Tom Landseer.—Mulready.—Daniel Roberts.—Edward Cooke.—Burgess and Long.—Frith.—Millais.—Stephens and Holman Hunt.—Stanfield.—C. R. Leslie.—Dr. John Doran.—Mr. and Mrs. S. C. Hall.—The Virtues, James and William.—Mr. and Mrs. Tom Taylor.—A story of Tennyson.—Sam Lover.—Moscheles père et fils .—Philip Calderon.—Sir Theodore and Lady Martin.—Garibaldi.—Lord Crewe.—Fechter.—Joachim and Lord Houghton.—Charles Dickens.—Lord Stanhope.—William Hepworth Dixon.—Sir Charles Dilke. 48 WORK AND PLAY School-days ended.—A trip to Paris.—Versailles and the Morgue.—I enter the office of Sydney Smirke, R.A.—Montagu Williams and Christchurch.—A squall.—Frith as arbitrator.—I nearly lose my life.—William Virtue to the rescue.—The Honourable Mrs. Butler Johnson Munro.—I visit Knebworth.—Lord Lytton.—Spiritualism.—My first picture in the Royal Academy.—A Scotch holiday with my friend Richard Dunlop.—Patrick Adam.—Mr. and Mrs. Arthur Lewis.—Mr. George Fox and Harry Fox.—Sir William Jaffray.—Mr. William Cobbett.—Adventures on and off a horse.—Peter Graham.—Cruikshank.—Mr. Phené Spiers.—Johnston Forbes-Robertson and Irving.—Fred Walker.—Arthur Sullivan.—Sir Henry de Bathe.—Sir Spencer Ponsonby.—Du Maurier.—Arthur Cecil.—Sir Francis Burnand.—The Bennett Benefit. 67 SPY My coming of age.—The letter.—The Doctor's verdict.—The Doctor's pretty daughter.—Arthur Sullivan.—"Dolly" Storey.—Lord Leven's garden party.—Professor Owen.—Gibson Bowles.—Arthur Lewis.—Carlo Pellegrini.—Paolo Tosti.—Pagani's.—J. J. Tissot.— Vanity Fair. —Some of the Contributors.—Anthony Trollope.—John Stuart Mill.— The World. —Edmund Yates.—Death of Lord Lytton.—Mr. Macquoid.—Luke Fildes.—Small.—Gregory.—Herkomer.— The Graphic. —Gladstone.—Disraeli, etc. 89 CARICATURE Cannot be taught.—Where I stalk.—The ugly man.—The handsome man.—Physical defects.—Warts.—Joachim Liszt and Oliver Cromwell.—Pellegrini, Millais and Whistler.—The characteristic portrait.—Taking notes.—Methods.—Photography.—Tattersall's—Lord Lonsdale.—Lord Rocksavage.—William Gillette.—Mr. Bayard.—The bald man.—The humorous sitter.—Tyler.—Profiles.—Cavalry

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