Handbook to the Mennonite Hymnary
- Language
- EN
- Format
- EPUB
- Size
- 659 KB
Description
The book is a reference volume that functions as a guide to the Mennonite Hymnary. It is structured to provide background information on the origins of the words and music of the hymns contained within the hymnbook. The work aims to deepen understanding and appreciation of the hymns, emphasizing their spiritual significance and historical development. It considers the contributions from different eras of church history and highlights the importance of congregational singing within Mennonite worship practices. The author acknowledges the collaborative research involved and positions the volume as useful for both individual study and practical application in church services.
Published in the mid-20th century, the handbook is intended for those interested in the theological and musical roots of Mennonite hymns. Its detailed explanations serve to enhance the spiritual and historical context of the hymns, making it a valuable resource for congregants, choir directors, and those involved in church music activities.
Published in the mid-20th century, the handbook is intended for those interested in the theological and musical roots of Mennonite hymns. Its detailed explanations serve to enhance the spiritual and historical context of the hymns, making it a valuable resource for congregants, choir directors, and those involved in church music activities.
From the opening pages
The aim of this book is to serve as a companion to the Mennonite Hymnary . It seeks to explain, as far as possible, the origin of the words and music of every hymn in the Hymnary . The great lyrics of the church, contributed by every age since the days of the apostles, are a precious heritage, and a source of inspiration and power. This work is intended to foster an understanding of and love for our hymns, new and old, and to stimulate the time-honored and blessed practice of congregational singing in the church today. The Handbook may be found useful as an aid (1) in the private study of hymns or their use in family devotions; (2) in selecting suitable hymns for the many and varied services of public worship; (3) in preparing special music services or hymn sings where such occasions are planned to improve the singing in the church; (4) for study groups in hymnology in churches and schools. The historical development of hymnology may be followed in the brief “ Introduction to Our Hymns and Tunes .” The author has endeavored to make the work as comprehensive as possible without overburdening the reader with too many details. Many hymns have interesting stories connected with their origin and use while others, equally valuable, were just written, without drama or incident, the poet scarcely knowing how or why, except that the Inner Voice spoke. The apocryphal tales which have been circulated concerning some hymns have been studiously avoided. The aim has been to include only such material as seems to bear genuine marks of authenticity. The bibliography of “Principal Works Consulted,” found elsewhere in the book, indicates the main sources. The original versions of translated hymns are not always readily available and for that reason they are reproduced in the Handbook . Translated hymns are usually selections from a much larger number of stanzas and it is often instructive to be able to study the whole structure of the original work. Acknowledgements. I wish to acknowledge valuable help received from the following and to express hereby my gratitude to them: to Dr. Robert McCutchan, author of Our Hymnody , who generously responded to my request for information on a dozen or more hymns on which I had no data; to Dr. Henry Wilder Foote, of Harvard University, author of Three Centuries of American Hymnody , for…
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