If You Touch Them They Vanish
- Language
- EN
- Format
- EPUB
- Size
- 435 KB
Description
Set in an early 20th-century context, this novel by Gouverneur Morris examines themes of love, innocence, and societal judgement through the life of a young man known as the Poor Boy. The narrative follows his wrongful imprisonment and the emotional and social repercussions of the accusations against him. The story highlights the loyalty of his caretaker, Martha, and the struggles he faces in attempting to restore his life after being released from prison. The novel employs detailed imagery and emotional depth to explore human relationships, trust, and hope amid adversity.
Published in 1913, the work belongs to the genre of literary fiction and reflects the social concerns of its period. The plot concentrates on the wrongful framing of the protagonist, his subsequent efforts to regain stability, and the impact of societal prejudices. Throughout, the novel underscores the importance of belief and resilience in overcoming wrongful accusations and personal trauma.
Published in 1913, the work belongs to the genre of literary fiction and reflects the social concerns of its period. The plot concentrates on the wrongful framing of the protagonist, his subsequent efforts to regain stability, and the impact of societal prejudices. Throughout, the novel underscores the importance of belief and resilience in overcoming wrongful accusations and personal trauma.
From the opening pages
"If I had the power," he thought, "I'd settle this region with innocent people who have been accused of crimes." If You Touch Them They Vanish By Gouverneur Morris With illustrations by Charles S. Chapman New York Charles Scribner's Sons 1913 Copyright , 1913, by Charles Scribner's Sons Published October, 1913 To John Frederick Byers Illustrations "If I had the power," he thought, "I'd settle this region with innocent people who have been accused of crimes." Frontispiece "Only come back, darlint"—she fought against tears;—"and I'll fill the house with helpers from attic to cellar." 42 "Now how about a sawmill;—right here?" 80 During the winter, the Poor Boy made two excursions southward through his valley and beyond. 86 She suddenly stopped running, and turned and waited for him. 96 His fingers began to follow an air that flowed with eternal sadness like blood from a broken heart. 120 "She will always be just as I see her now, no older, untroubled, gentle and dear." 132 And then carrying her swiftly home, he proceeded to go quite mad. 144 I Old Martha wondered if the Poor Boy would have a smile for her. He had had so many in the old days, the baby days, the growing-up days, the college days, the "world so new and all" days. There were some which she would always remember. The smile he smiled one Christmas morning, when he put the grand fur coat around her shoulders, and the kiss on her cheek. The smile he smiled that day when they met in front of the photographer's, and he took her in and had their photograph taken together: she sitting and glaring with embarrassment at the camera, he standing, his hand on her shoulder, smiling—down on her. To save her life she could not recall a harsh word in his mouth, a harsh look in his eyes. In the growing-up days he had been sick a great deal; but the trustees and the doctors had put their trust in old Martha, and she had pulled him through. When the pain was too great, her Poor Boy was always for hiding his face. It was thus that he gathered strength to turn to her once more, smiling. It was Martha who spoke stories of princesses and banshees and heroes and witch-wolves through the long nights when he could not sleep. It was old Martha who drew…
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