Lays of Ancient Rome
by Thomas Babington Macaulay, Baron Macaulay
- Language
- EN
- Format
- EPUB
- Size
- 138 KB
Description
Written in 1842 by Baron Thomas Babington Macaulay, "Lays of Ancient Rome" is a collection of narrative poems that depict notable episodes from early Roman history. The works include dramatizations of heroic deeds and tragic sacrifices, such as Horatius's defense of the bridge over the Tiber against the Etruscans and Virginia's sacrificial act that incited political upheaval. The poems are composed in a style intended to evoke the storytelling traditions of ancient Rome, reflecting themes of courage, patriotism, and sacrifice.
Although rooted in historical narratives, the compositions are poetical interpretations, offering a vivid and stirring portrayal of Roman legends and virtues. Written during Macaulay’s time in India, these works gained widespread popularity in Britain, particularly in educational contexts, for their didactic and moral qualities. They serve as early examples of poetic retellings of classical history aimed at fostering national pride and patriotic values.
Although rooted in historical narratives, the compositions are poetical interpretations, offering a vivid and stirring portrayal of Roman legends and virtues. Written during Macaulay’s time in India, these works gained widespread popularity in Britain, particularly in educational contexts, for their didactic and moral qualities. They serve as early examples of poetic retellings of classical history aimed at fostering national pride and patriotic values.
From the opening pages
That what is called the history of the Kings and early Consuls of Rome is to a great extent fabulous, few scholars have, since the time of Beaufort, ventured to deny. It is certain that, more than three hundred and sixty years after the date ordinarily assigned for the foundation of the city, the public records were, with scarcely an exception, destroyed by the Gauls. It is certain that the oldest annals of the commonwealth were compiled more than a century and a half after this destruction of the records. It is certain, therefore, that the great Latin writers of the Augustan age did not possess those materials, without which a trustworthy account of the infancy of the republic could not possibly be framed. Those writers own, indeed, that the chronicles to which they had access were filled with battles that were never fought, and Consuls that were never inaugurated; and we have abundant proof that, in these chronicles, events of the greatest importance, such as the issue of the war with Porsena and the issue of the war with Brennus, were grossly misrepresented. Under these circumstances a wise man will look with great suspicion on the legend which has come down to us. He will perhaps be inclined to regard the princes who are said to have founded the civil and religious institutions of Rome, the sons of Mars, and the husband of Egeria, as mere mythological personages, of the same class with Perseus and Ixion. As he draws nearer to the confines of authentic history, he will become less and less hard of belief. He will admit that the most important parts of the narrative have some foundation in truth. But he will distrust almost all the details, not only because they seldom rest on any solid evidence, but also because he will constantly detect in them, even when they are within the limits of physical possibility, that peculiar character, more easily understood than defined, which distinguishes the creations of the imagination from the realities of the world in which we live. The early history of Rome is indeed far more poetical than anything else in Latin literature. The loves of the Vestal and the God of War, the cradle laid among the reeds of Tiber, the fig-tree, the she-wolf, the shepherd's cabin, the recognition, the fratricide, the rape of the Sabines, the death of Tarpeia, the fall…
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