Little Brother
- Language
- EN
- Format
- EPUB
- Size
- 336 KB
Description
The novel centres on Marcus Yallow, a seventeen-year-old hacker who becomes involved in a conflict over civil liberties following a terrorist attack in San Francisco. After the incident, Marcus and three friends are detained by the Department of Homeland Security but are later released under surveillance. Refusing to accept the erosion of individual freedoms, Marcus develops Xnet, a clandestine network designed to challenge pervasive government surveillance and censorship. The work examines themes of privacy, security, and resistance within the context of post-9/11 America, reflecting anxieties about government power and technological control during the early 21st century.
Published in 2008, the book fits within the category of American Literature and depicts a near-future situation of civil unrest driven by technological activism. It portrays the protagonist's transition from suspect to leader of a digital resistance movement, illustrating issues related to the balance of security and privacy in a democratic society.
Published in 2008, the book fits within the category of American Literature and depicts a near-future situation of civil unrest driven by technological activism. It portrays the protagonist's transition from suspect to leader of a digital resistance movement, illustrating issues related to the balance of security and privacy in a democratic society.
From the opening pages
Attribution-NonCommercial-ShareAlike 3.0 license. That means: You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial. You may not use this work for commercial purposes. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link http://craphound.com/littlebrother Any of the above conditions can be waived if you get my permission More info here. See the end of this file for the complete legalese. INTRODUCTION I wrote Little Brother in a white-hot fury between May 7, 2007 and July 2, 2007: exactly eight weeks from the day I thought it up to the day I finished it (Alice, to whom this book is dedicated, had to put up with me clacking out the final chapter at 5AM in our hotel in Rome, where we were celebrating our anniversary). I'd always dreamed of having a book just materialize, fully formed, and come pouring out of my fingertips, no sweat and fuss -- but it wasn't nearly as much fun as I'd thought it would be. There were days when I wrote 10,000 words, hunching over my keyboard in airports, on subways, in taxis -- anywhere I could type. The book was trying to get out of my head, no matter what, and I missed so much sleep and so many meals that friends started to ask if I was unwell. When my dad was a young university student in the 1960s, he was one of the few "counterculture" people who thought computers were a good thing. For most young people, computers represented the de-humanization of society. University students were reduced to numbers on a punchcard, each bearing the legend "DO NOT BEND, SPINDLE, FOLD OR MUTILATE," prompting some of the students to wear pins that said, "I AM A STUDENT: DO NOT BEND, SPINDLE, FOLD OR MUTILATE ME." Computers were seen as a means to increase the ability of the authorities to regiment…
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