Moloch: A play in a prologue, three acts and an epilogue
- Language
- EN
- Format
- EPUB
- Size
- 346 KB
Description
"Moloch" by Beulah Marie Dix is a play written in the early 20th century. It is a wartime domestic drama that charts how a comfortable household is consumed by the machinery of modern conflict, invoking the figure of Moloch as a metaphor for war’s demand for the young and the best. The story centers on Katherine and her husband Robert, their little boy Roland, Robert’s mother Lydia, his siblings Gertrude and Basil, and their friend Philip, a foreign-born physician whose loyalties become a flashpoint when war arrives.
The opening of the play presents a peaceful country house where family members argue about the likelihood and nature of war—Basil and the Professor eager, Katherine skeptical, Gertrude thoughtful—until news breaks: war has been declared, and suspicion falls on Philip despite his having saved Roland’s life. Ten days later in town, patriotic bustle fills the streets; Basil, newly commissioned, marches off as Robert reveals he has taken a captaincy and departs as well, while Philip briefly returns to plead with Gertrude to escape with him—she refuses in a surge of wounded patriotism and he leaves under threat. Nine months on, winter and invasion have brought deprivation and grief: Margaret flees a bombed hospital, Martha returns shattered after losing her family, and foreign troops billet in the house; Katherine’s quiet care for an exhausted young enemy lieutenant humanizes both sides, and a chance revelation that he is Philip’s cousin prompts Gertrude to reclaim her love and write to Philip, learning he now fights as an aviator.
The opening of the play presents a peaceful country house where family members argue about the likelihood and nature of war—Basil and the Professor eager, Katherine skeptical, Gertrude thoughtful—until news breaks: war has been declared, and suspicion falls on Philip despite his having saved Roland’s life. Ten days later in town, patriotic bustle fills the streets; Basil, newly commissioned, marches off as Robert reveals he has taken a captaincy and departs as well, while Philip briefly returns to plead with Gertrude to escape with him—she refuses in a surge of wounded patriotism and he leaves under threat. Nine months on, winter and invasion have brought deprivation and grief: Margaret flees a bombed hospital, Martha returns shattered after losing her family, and foreign troops billet in the house; Katherine’s quiet care for an exhausted young enemy lieutenant humanizes both sides, and a chance revelation that he is Philip’s cousin prompts Gertrude to reclaim her love and write to Philip, learning he now fights as an aviator.
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