Montaigne and Shakspere
by J. M. (John Mackinnon) Robertson
- Language
- EN
- Format
- EPUB
- Size
- 179 KB
Description
This work is a scholarly analysis presented in a prose format that examines the intellectual influences between two prominent figures of early modern literature. It considers the extent to which Michel de Montaigne's essays impacted William Shakespeare's plays and philosophical outlook. The author, J. M. Robertson, investigates textual parallels and thematic similarities, focusing on how Montaigne's ideas may have shaped Shakespeare's development as a dramatist and thinker. The work addresses the broader context of late 19th-century interest in revisiting and reassessing Renaissance literary relationships, particularly the influence of French thought on English literature. It discusses the resurgence of interest in Shakespearean studies and highlights the comparative analysis between Montaigne's essays and Shakespeare's works, aiming to deepen understanding of their interconnected intellectual heritage.
From the opening pages
inconstant, irresolute being, contrary to himself, marvellously vain, various and changeful, were perhaps not unconnected with ( peut être pas étrangères ) the conception of Hamlet . The author of the scene of the grave-diggers must have felt the savour and retained the impression of this thought, humid and cold as the grave: 'The heart and the life of a great and triumphant emperor are but the repast of a little worm.' The translation of Plutarch, or rather of Amyot, by Thomas North, and that of Montaigne by Florio, had together a great and long vogue in the English society of the seventeenth century." 5 So modest a claim, coming from the French side, can hardly be blamed on the score of that very modesty. It is the fact, however, that, though M. Stapfer has in another work 6 com pared Shakspere with a French classic critically enough, he has here understated his case. He was led to such an attitude in his earlier study of Shakspere by the slightness of the evidence offered for the claim of M. Chasles, of which he wrote that it is "a gratuitous supposition, quite unjustified by the few traces in his writings of his having read the Essays." 7 But that verdict was passed without due scrutiny. The influence of Montaigne on Shakspere was both wider and deeper than M. Stapfer has suggested; and it is perhaps more fitting, after all, that the proof should be undertaken by some of us who, speaking Shakspere's tongue, cannot well be suspected of seeking to belittle him when we trace the sources for his thought, whether in his life or in his culture. There is still, indeed, a tendency among the more primitively patriotic to look jealously at such inquiries, as tending to diminish the glory of the worshipped name; but for anyone who is capable of appreciating Shakspere's greatness, there can be no question of iconoclasm in the matter. Shakspere ignorantly adored is a mere dubious mystery; Shaks pere followed up and comprehended, step by step, albeit never wholly revealed, becomes more remarkable, more profoundly interesting, as he becomes more intelligible. We are embarked, not on a quest for plagiarisms, but on a study of the growth of a wonderful mind. And in the idea that much of the growth is traceable to the fertilising contact of a foreign intelligence there can be nothing…
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