Mosses from an old manse
- Language
- EN
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- EPUB
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- 581 KB
Description
"Mosses from an Old Manse" is a collection of allegorical short stories by Nathaniel Hawthorne, published in 1846. The stories are set against the backdrop of the house where Hawthorne lived during the early years of his marriage, and they examine themes related to human morality, psychology, and the darker aspects of human nature. Critics have noted that the narratives often contain a pervasive sense of darkness beneath their surface brightness, with brief moments of illumination breaking through complex moral and symbolic inquiries. The collection reflects Hawthorne’s characteristic style, blending allegory with a focus on the moral struggles and psychological depths of its characters.
The stories in the volume are distinguished by their use of symbolism and often explore themes of guilt, remorse, and supernatural influence. The work is considered an important contribution to American literature of the 19th century, showcasing Hawthorne's skill in creating stories that probe the darker elements of the human condition through compact yet richly symbolic narratives.
The stories in the volume are distinguished by their use of symbolism and often explore themes of guilt, remorse, and supernatural influence. The work is considered an important contribution to American literature of the 19th century, showcasing Hawthorne's skill in creating stories that probe the darker elements of the human condition through compact yet richly symbolic narratives.
From the opening pages
Between two tall gate-posts of rough-hewn stone (the gate itself having fallen from its hinges at some unknown epoch) we beheld the gray front of the old parsonage, terminating the vista of an avenue of black-ash trees. It was now a twelvemonth since the funeral procession of the venerable clergyman, its last inhabitant, had turned from that gateway towards the village burying-ground. The wheel-track leading to the door, as well as the whole breadth of the avenue, was almost overgrown with grass, affording dainty mouthfuls to two or three vagrant cows and an old white horse who had his own living to pick up along the roadside. The glimmering shadows that lay half asleep between the door of the house and the public highway were a kind of spiritual medium, seen through which the edifice had not quite the aspect of belonging to the material world. Certainly it had little in common with those ordinary abodes which stand so imminent upon the road that every passer-by can thrust his head, as it were, into the domestic circle. From these quiet windows the figures of passing travellers looked too remote and dim to disturb the sense of privacy. In its near retirement and accessible seclusion, it was the very spot for the residence of a clergyman,—a man not estranged from human life, yet enveloped, in the midst of it, with a veil woven of intermingled gloom and brightness. It was worthy to have been one of the time-honored parsonages of England, in which, through many generations, a succession of holy occupants pass from youth to age, and bequeath each an inheritance of sanctity to pervade the house and hover over it as with an atmosphere. Nor, in truth, had the Old Manse ever been profaned by a lay occupant until that memorable summer afternoon when I entered it as my home. A priest had built it; a priest had succeeded to it; other priestly men from time to time had dwelt in it; and children born in its chambers had grown up to assume the priestly character. It was awful to reflect how many sermons must have been written there. The latest inhabitant alone—he by whose translation to paradise the dwelling was left vacant—had penned nearly three thousand discourses, besides the better, if not the greater, number that gushed living from his lips. How often, no doubt, had he paced to…
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