My days and dreams
- Language
- EN
- Format
- EPUB
- Size
- 3.3 MB
Description
My days and dreams is a memoir in prose that combines autobiographical narrative with reflective essays. The work is organised into multiple sections, chronicling Edward Carpenter's life from childhood through his later years, with particular focus on his experiences in Brighton, Cambridge, and among the working classes. The narrative includes personal recollections, associations with family, friends, and influential figures, as well as critiques of social and religious conventions prevalent in early 20th-century Britain.
The autobiography discusses Carpenter’s development as an author and social critic, highlighting his engagement with issues of sexuality, class, and artistic influence. It also details his physical and emotional experiences, emphasizing moments of solitude and introspection. Written over several years beginning in 1890, the text presents a chronological account intertwined with thematic reflections, offering insights into social change and personal identity during the period. The work is rooted in Edward Carpenter's lived experience and intellectual pursuits in late Victorian and Edwardian England.
The autobiography discusses Carpenter’s development as an author and social critic, highlighting his engagement with issues of sexuality, class, and artistic influence. It also details his physical and emotional experiences, emphasizing moments of solitude and introspection. Written over several years beginning in 1890, the text presents a chronological account intertwined with thematic reflections, offering insights into social change and personal identity during the period. The work is rooted in Edward Carpenter's lived experience and intellectual pursuits in late Victorian and Edwardian England.
From the opening pages
to the water’s edge at 10 or 11 p.m.—pitchy darkness—feeling one’s way with feet or hands, over the stony beach, hardly able to stand for the wind—and to watch the white breakers suddenly leap out of the gulf close upon one—the “scream of the madden’d beach dragged down by the wave,” the booming of the wind, like distant guns, and the occasional light of some vessel laboring for its life in the surge. But the Downs were my favorite refuge. On sunny days I would wander on over them for miles, not knowing very clearly where I was going—in a strange broody moony state—glad to find some hollow (like that described in Jefferies’ Story of my Heart ) where one could lie secluded for any length of time and see only the clouds and the grasses and an occasional butterfly, or hear the distant bark of a dog or the far rumble of a railway train. The Downs twined themselves with all my thought and speculations of that time. Their chaste subdued gracious outlines and quiet colour have a peculiar charm. Their strongest line is generally some white edge of cliffs or curve of the shore itself, their deepest tint the blue of the sea or occasionally a field of red clover or one overgrown with charlock. For the rest they wear the faint blue-green colour of thin turf through which the chalk almost shows. Over the velvety sward and among the fine herbage cropped by plentiful sheep run innumerable tiny flowers dwarfed by salt wind and scanty soil—thistles, whose chins rest on the ground out of which they grow; patches of sweet thyme which the wild bees love, of pink centaury and thrift and madder and dwarf-broom, and that sweet yellow lotus or bird’s-foot trefoil, which runs all over the world, in Siberia and Alps and Himalayas the same, one of the commonest and friendliest of all the flowers that grow. Overhead the lark sings, the clouds drift through the untampered blue, the bee and the butterfly sweep past on the breeze. Three or four miles from Brighton, and one is in a world remote from man. Except an occasional shepherd there is hardly a human to be seen. Here and there in a hollow nestles the tiniest hamlet—an old farmhouse, one or two cottages, a dwarf church faced with rough work
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