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Rosin the Beau

by Laura Elizabeth Howe Richards

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Language
EN
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EPUB
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184 KB

Description

Jacques De Arthenay recounts his childhood memories, focusing on the influence of his mother Marie and his relationship with his stern father. The narrative, set in the late 19th century, examines the formative role of music and maternal affection in shaping his character. As an autobiographical novel, it presents reflections on love, loss, and the domestic environment that influenced his early years. The story begins with vivid descriptions of Marie’s musical talents and gentle demeanour, establishing the warmth of their home life contrasted with paternal strictness. The novel, written in a period when American literature was increasingly exploring individual identity and familial relationships, offers insights into Victorian societal values through personal recollections.

The plot unfolds through Jacques’s reminiscences, highlighting key moments of childhood, and explores themes of emotional development and the importance of artistic expression. Set in a historical context of late 19th-century America, the work reflects contemporary attitudes toward family dynamics, gender roles, and cultural pursuits. It provides a personal perspective on the era’s social and artistic environment, blending autobiography with reflections on the enduring bonds of family.

From the opening pages

it was a large Bible, and lay on a table in the sitting-room. I see my mother standing before me, with her violin on her arm. She is light, young, and very graceful; beauty seems to flow from her face in a kind of dark brightness, if I may use such an expression; her eyes are soft and deep. I have seen no other eyes like my mother Marie's. She taps the violin with the bow; then she taps me under the chin. " Dis 'Bon jour!' petit Jacques! " and I say "Bo' zour!" as well as I can, and duck my head, for a bow is expected of me. No bow, no music, and I am quivering with eagerness for the music. Now she draws the bow across the strings, softly, smoothly,—ah, my dear, you have heard only me play, all your life; if you could have heard my mother! As I see her and hear her, this day of my babyhood, the song she plays is the little French song that you love. If you could have heard her sing! "A la claire fontaine M'en allant promener, Jai trouvé l'eau si belle Que je m'y suis baigné. Il y a longtemps que je t'aime, Jamais je ne t'oublierai!" As I went walking, walking, I found its waves so lovely, Beside the fountain fair, I stayed to bathe me there. 'Tis long and long I have loved thee, I'll ne'er forget thee more. It is the song of my life, Melody; I never told you that before, but it has always pleased me well that you cared for it. As my mother sings the last words, she bends and kisses the violin, which was always a living personage to her. Her head moves like a bird's head, quickly and softly. I see her face all brightness, as I have told you; then suddenly a shadow falls on it. My back is towards the door, but she stands facing it. I feel myself snatched up by hands like quivering steel; I am set down—not roughly—on the floor. My father turns a terrible face on my mother. "Mary!" he cried. "He was on the Bible! You—you set the child on the Holy Bible!" I am too frightened to cry out or move, but my mother Marie lays down her violin in its box—as tenderly as she would lay me in…

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