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Royal Edinburgh: Her Saints, Kings, Prophets and Poets

by Mrs. (Margaret) Oliphant

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EPUB
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"Royal Edinburgh: Her Saints, Kings, Prophets and Poets" by Mrs. Margaret Oliphant offers a chronological account of Edinburgh's historical development from its legendary origins to its status as a cultural centre. The work discusses notable figures such as saints, monarchs, and poets, illustrating their roles in shaping the city's identity and politics. The author combines biographical sketches with historical narrative, providing context for Edinburgh's evolution through the early medieval period to the 19th century. The opening sections describe Edinburgh's earliest days as a fortress perched upon a rock, inhabited by the royal family, emphasizing the city's strategic importance and legendary beginnings.

Throughout, the book situates individual lives within the broader historical landscape, highlighting events and figures that contributed to Edinburgh’s reputation as a centre of religion, governance, and literature. Mrs. Oliphant's account is rooted in late 19th-century historical methods, blending storytelling with documentary detail. It reflects an interest in the cultural and political legacy of Edinburgh's prominent saints, kings, prophets, and poets over several centuries.

From the opening pages

It is strange yet scarcely difficult to the imagination to realise the first embodiment of what is now Edinburgh in the far distance of the early ages. Neither Pict nor Scot has left any record of what was going on so far south in the days when the king's daughters, primitive princesses with their rude surroundings, were placed for safety in the castrum puellarum , the maiden castle, a title in after days proudly (but perhaps not very justly) adapted to the supposed invulnerability of the fortress perched upon its rock. Very nearly invulnerable, however, it must have been in the days before artillery; too much so at least for one shut-up princess, who complained of her lofty prison as a place without verdure. If we may believe, notwithstanding the protest of that much-deceived antiquary the Laird of Monkbarns, that these fair and forlorn ladies were the first royal inhabitants of the Castle of Edinburgh, we may imagine that they watched from their battlements more wistfully than fearfully, over all the wide plain, what dust might rise or spears might gleam, or whether any galley might be visible of reiver or rescuer from the north. A little collection of huts or rude forts here and there would be all that broke the sweeping line of Lothian to the east or west, and all that width of landscape would lie under the eyes of the watchers, giving long notice of the approach of any enemies. "Out over the Forth I look to the north," the maidens might sing, looking across to Dunfermline, where already there was some royal state, or towards the faint lines of mountains in the distance, over the soft swelling heights of the Lomonds. No doubt Edinburgh, Edwinesburgh, or whatever the antiquaries imagine it to have been, must have been sadly dull if safe, suspended high upon the rock, nearer heaven than earth. It is curious to hear that it was "without verdure"; but perhaps the young ladies took no account of the trees that clothed the precipices below them, or the greenness that edged the Nor' Loch deep at their feet, but sighed for the gardens and luxuriance of Dunfermline, where all was green about their windows and the winding pathways of the dell of Pittendreich would be pleasant to wander in. This first romantic aspect of the Castle of Edinburgh is, however, merely traditional, and the…

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