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Sonnie-Boy's People

by James B. (James Brendan) Connolly

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EN
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EPUB
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Sonnie-Boy's People is a novel written in the early 20th century that employs a third-person narrative to depict the life of a young boy named Greg, known as Sonnie-Boy. The story is set within a domestic environment and features interactions with family members and a visitor named Mr. Necker. The plot highlights themes of patriotism, familial relationships, and social aspirations, contrasting Sonnie-Boy's youthful innocence with the ambitions and societal attitudes of the adults around him. The narrative begins with Sonnie-Boy playing at the water’s edge and includes a scene where the character of Aunt Marie is preparing a battle-flag, indicating the novel's engagement with notions of identity and pride. This work reflects the American literary context of the early 20th century, emphasizing cultural and social themes relevant to that period.

The novel explores notions of opportunity and social class through its characters and dialogue, illustrating the environment and attitudes of the time. It provides insight into early 20th-century American life, especially the dynamics of family and community, with a focus on character development and social commentary rooted in that era's values.

From the opening pages

"He won't do. You're the one man we want, and if there's money enough in our strong box, we're going to get you. And now that I've got that off, let me show you where it is for your higher—I say your higher, not alone your moneyed—interests to come with us, Mr. Welkie. There's that boy of yours—you'd surely like to see him a great man?" "I surely wouldn't dislike it." "Good. Then give him a chance. Get rid first of the notion that a poor boy has as good a chance as another. He hasn't. I know that all our old school-books told us different—along with some other queer things. No wonder. Nine times out of ten they were got up by men born poor and intended for children born poor. It is a fine old myth in this country that only the poor boy ever gets anywhere. As a matter of fact, the poor boys outnumber the comfortably born boys ten to one, yet run behind in actual success. Even history'll tell you that. Alexander—son of a king. Cæsar? Frederick the Great? Oh, loads of 'em! You don't seem to think much of that?" "Not a great deal," smiled Welkie. "If you're going to call the long roll of history, it looks to me like it's a mistake to name only three, or twenty-three, or thirty-three men. You cast your eye along that little book-shelf there and——" "Oh, I've been looking them over—Dante and Michael Angelo and Homer and Shakespeare and that knight-errant Spaniard and the rest of 'em. But I'm not talking of poets and philosophers and the like. I'm talking of the men who bossed the job when they were alive." "But how about those who bossed it after they were dead?" "But, damn it, Welkie, I'm talking of men of action." "Men of action or—ditch-diggers?" "What!" "That's what I call most of 'em, Necker—ditch-diggers. If your man of action hasn't himself thought out what he's doing, that's what he looks like to me—a ditch-digger, or at best a foreman of ditch-diggers. And a ditch-digger, a good ditch-digger, ought to be respected—until he thinks he's the whole works. Those kings of yours may have bossed the world, Necker, but, so long's we're arguing it, who bossed them?" "You mean that the man who bosses the world

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