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The Boss, and How He Came to Rule New York

by Alfred Henry Lewis

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This book examines the ascent of a man within the political hierarchy of early 20th-century New York City, centring on Big John Kennedy and his influence in Tammany Hall. It provides a detailed account of how Kennedy's rise through the ranks of the political machine reflects the broader patterns of corruption and power prevalent in the period. The narrative is based on historical and insider perspectives, offering insights into the mechanics of political control and the personalities involved. The work situates its story amid the social and political upheavals of the era, illustrating the methods by which individuals obtained and maintained political authority in a rapidly growing urban environment. It also touches upon the personal background of the narrator, who describes his humble Irish immigrant origins and his familial struggles, providing context for his vantage point within this complex political landscape.

The book functions as a historical account of New York’s political scene, focusing on the character and influence of Big John Kennedy within the Tammany Hall machine during the early 20th century. It aims to depict the intertwining of personal ambition and political corruption characteristic of the period.

From the opening pages

in the beginning that these memoirs will not be written by my own hand. I have no skill of pen and ink, and any relation of length would be beyond my genius. The phrasing would fall to be disreputable, and the story itself turn involved and to step on its own toes, and mayhap with the last of it to fall flat on its face, unable to proceed at all. Wherefore, as much for folk who are to read as for my own credit, I shall have one who makes print his trade to write these pages for me. Nor shall I advance apology in this. If I plan for the construction of a house, I call to my aid architects and artisans in wood and stone and iron. I am not disgraced for that out of my own hands and head I do not throw up the walls and lay on the roof of the edifice. Why, then, when now I am about the paper-telling of my life, should I blush because I am driven to seek the aid of him who makes an inkpot his profession? I am like a lumber-yard or a stone-quarry, and full of the raw material for this work; but I require one drilled of saw and chisel to carry off the business of my housebuilding. It would be the thing natural, should you who open these leaves put the question of motive and ask why, when now I am retired, and should be cautious with my threescore years, I come forth with confidences which, aside from the mere sorrow of them, are like to prove less for my honor than I might wish. Why is it that I who have removed my loneliness and my millions to scenes of peace at least, may not leave well enough alone? Why should I return with disclosures touching Tammany and the inner history of that organization, when the dullest must apprehend only trouble and pain as the foolish fruits of such garrulity? To the cheer of ones still on the firing lines of Tammany effort, let me promise to say no more of them than belongs of necessity to the story of my own career. I aim towards the painting of no man's picture save my own. Also from first to last I will hold before the face of each old friend the shield of an…

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