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The Prairie Mother

by Arthur Stringer

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The novel focuses on Tabbie, a prairie woman confronting the hardships of rural life, marriage, and motherhood during an early 20th-century economic downturn. The narrative begins with her childbirth in a hospital, where she delivers twins, a boy and a girl, illustrating her physical and emotional trials. Throughout the story, Tabbie manages the demands of her growing family while her husband's ambitions and struggles on the frontier complicate their circumstances. The novel depicts life on the edge of civilization, emphasizing themes of resilience, domestic responsibilities, and the challenges posed by economic hardship.

Set within a period of social and economic change in North America, the work presents a realistic portrayal of pioneer life and the enduring strength of its central character amidst adversity. It explores the personal and familial sacrifices made in the pursuit of stability and survival in a frontier environment.

From the opening pages

“Swing twenty paces out from one another and circle this shack!” THE PRAIRIE MOTHER By ARTHUR STRINGER AUTHOR OF The Prairie Wife , The House of Intrigue The Man Who Couldn’t Sleep, etc. ILLUSTRATED BY ARTHUR E. BECHER INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS Copyright 1920 The Pictorial Review Company Copyright 1920 The Bobbs-Merrill Company Printed in the United States of America PRESS OF BRAUNWORTH & CO. BROOKLYN, N. Y. THE PRAIRIE MOTHER The Prairie Mother Sunday the Fifteenth I opened my eyes and saw a pea-green world all around me. Then I heard the doctor say: “Give ’er another whiff or two.” His voice sounded far-away, as though he were speaking through the Simplon Tunnel, and not merely through his teeth, within twelve inches of my nose. I took my whiff or two. I gulped at that chloroform like a thirsty Bedouin at a wadi-spring. I went down into the pea-green emptiness again, and forgot about the Kelly pad and the recurring waves of pain that came bigger and bigger and tried to sweep through my racked old body like breakers through the ribs of a stranded schooner. I forgot about the hateful metallic clink of steel things against an instrument-tray, and about the loganberry pimple on the nose of the red-headed surgical nurse who’d been sent into the labor room to help. I went wafting off into a feather-pillowy pit of infinitude. I even forgot to preach to myself, as I’d been doing for the last month or two. I knew that my time was upon me, as the Good Book says. There are a lot of things in this life, I remembered, which woman is able to squirm out of. But here, Mistress Tabbie, was one you couldn’t escape. Here was a situation that had to be faced. Here was a time I had to knuckle down, had to grin and bear it, had to go through with it to the bitter end. For other folks, whatever they may be able to do for you, aren’t able to have your babies for you. Then I ebbed up out of the pea-green depths again, and was troubled by the sound of voices, so thin and far-away I couldn’t make out what they were saying. Then came the beating of a tom-tom, so loud that it hurt. When that died away for a minute or two I caught the sound…

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