The Secret of the Night
- Language
- EN
- Format
- EPUB
- Size
- 289 KB
Description
The novel centres on General Trebassof, a Russian military figure caught in the midst of revolutionary unrest. As threats against his life escalate, his wife Matrena Petrovna becomes increasingly anxious about his safety. The narrative follows Joseph Rouletabille, a young reporter tasked with investigating the mysterious circumstances surrounding the general’s peril. The story is set against the backdrop of late 19th-century Russia, a period marked by political upheaval and social tension. The novel combines elements of crime, mystery, and political intrigue, with characters navigating a tense environment filled with suspicion and danger.
Gaston Leroux's work employs suspense and detailed character interactions to build its plot, typical of late 19th-century fiction in the crime and thriller genres. The narrative explores themes of loyalty, treachery, and the quest for truth amidst political unrest, providing a window into the period’s tumultuous atmosphere through the perspectives of various characters involved in the intrigue.
Gaston Leroux's work employs suspense and detailed character interactions to build its plot, typical of late 19th-century fiction in the crime and thriller genres. The narrative explores themes of loyalty, treachery, and the quest for truth amidst political unrest, providing a window into the period’s tumultuous atmosphere through the perspectives of various characters involved in the intrigue.
From the opening pages
“I told you to show him to Natacha’s sitting-room. Didn’t you understand me, Ermolai?” “Pardon, Barinia, but the young stranger, when I asked to search him, as you directed, flatly refused to let me.” “Did you explain to him that everybody is searched before being allowed to enter, that it is the order, and that even my mother herself has submitted to it?” “I told him all that, Barinia; and I told him about madame your mother.” “What did he say to that?” “That he was not madame your mother. He acted angry.” “Well, let him come in without being searched.” “The Chief of Police won’t like it.” “Do as I say.” Ermolai bowed and returned to the garden. The “barinia” left the veranda, where she had come for this conversation with the old servant of General Trebassof, her husband, and returned to the dining-room in the datcha des Iles, where the gay Councilor Ivan Petrovitch was regaling his amused associates with his latest exploit at Cubat’s resort. They were a noisy company, and certainly the quietest among them was not the general, who nursed on a sofa the leg which still held him captive after the recent attack, that to his old coachman and his two piebald horses had proved fatal. The story of the always-amiable Ivan Petrovitch (a lively, little, elderly man with his head bald as an egg) was about the evening before. After having, as he said, “recure la bouche” for these gentlemen spoke French like their own language and used it among themselves to keep their servants from understanding—after having wet his whistle with a large glass of sparkling rosy French wine, he cried: “You would have laughed, Feodor Feodorovitch. We had sung songs on the Barque* and then the Bohemians left with their music and we went out onto the river-bank to stretch our legs and cool our faces in the freshness of the dawn, when a company of Cossacks of the Guard came along. I knew the officer in command and invited him to come along with us and drink the Emperor’s health at Cubat’s place. That officer, Feodor Feodorovitch, is a man who knows vintages and boasts that he has never swallowed a glass of anything so common as Crimean wine. When I named champagne he cried, ‘Vive l’Empereur!’ A true patriot. So we started, merry as school-children. The
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