The tortoiseshell cat
- Language
- EN
- Format
- EPUB
- Size
- 575 KB
Description
"The tortoiseshell cat" by Naomi Royde-Smith is a novel written in the early 20th century. It presents a witty, gently satirical coming‑of‑age story in pre‑war London, following spirited teacher Gillian Armstrong as her devotion to literature clashes with school respectability and then propels her into the orbit of the magnificently eccentric Lady Bottomley; key figures include Gillian’s practical sister Lilac, the erratic headmistress Mrs. Lysaght, the formidable schoolgirl Jane Bird, and the dryly loyal Miss Fairfax. Themes of language, class, work, and female independence run through its scenes.
The opening of the novel follows Gillian at Pelham House, where her lively teaching—drilling vowel-sounds and savoring great lines—wins over pupils but triggers authority’s ire: a hymn-learning row draws a parent’s complaint, and a later French class exalting Racine and Gautier prompts a bishop’s letter, the confiscation of Gillian’s treasured commonplace book, and the headmistress’s decision not to retain her. Jane Bird, brilliant and intimidating, reveals unexpected emotion and leaves Gillian a poem; Miss Fairfax offers brisk sympathy. The scene shifts to the sisters’ life in the women’s residential “Hen House,” briskly sketched through its caretakers and politics, before Mrs. Barraclough steers Gillian toward new work. An opulent Knightsbridge interview secures her a post with Lady Bottomley—under the house pseudonym “Miss Macfarlane”—with peculiar rules (no shorthand, imitate her hand, vow not to marry for three years) and duties that promise concerts, letters, and a plunge into high-society eccentricity. (This is an automatically generated summary.)
The opening of the novel follows Gillian at Pelham House, where her lively teaching—drilling vowel-sounds and savoring great lines—wins over pupils but triggers authority’s ire: a hymn-learning row draws a parent’s complaint, and a later French class exalting Racine and Gautier prompts a bishop’s letter, the confiscation of Gillian’s treasured commonplace book, and the headmistress’s decision not to retain her. Jane Bird, brilliant and intimidating, reveals unexpected emotion and leaves Gillian a poem; Miss Fairfax offers brisk sympathy. The scene shifts to the sisters’ life in the women’s residential “Hen House,” briskly sketched through its caretakers and politics, before Mrs. Barraclough steers Gillian toward new work. An opulent Knightsbridge interview secures her a post with Lady Bottomley—under the house pseudonym “Miss Macfarlane”—with peculiar rules (no shorthand, imitate her hand, vow not to marry for three years) and duties that promise concerts, letters, and a plunge into high-society eccentricity. (This is an automatically generated summary.)
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