The Watchers of the Trails: A Book of Animal Life
- Language
- EN
- Format
- EPUB
- Size
- 2.1 MB
Description
"The Watchers of the Trails: A Book of Animal Life" by Sir Charles G. D. Roberts presents a series of fictional stories that depict the daily lives and struggles of various wild animals. Combining elements of factual observation with narrative techniques, the book aims to portray the behaviours, habitats, and interactions of animals in their natural environments. It includes characters such as a black-faced ram who escapes captivity to navigate the wilderness for the first time, illustrating themes of freedom and adaptation. The stories are set within early 20th-century narratives, reflecting a period of renewed interest in natural history and conservation. Roberts' writing blends realistic animal traits with storytelling to communicate natural behaviours, making the work accessible to those interested in wildlife and nature.
The book functions as both a collection of engaging animal stories and an exploration of wildlife behaviours, rooted in factual detail and creative narration. It emphasizes the natural instincts and interactions of animals, appealing to readers with an interest in the natural world and animal life.
The book functions as both a collection of engaging animal stories and an exploration of wildlife behaviours, rooted in factual detail and creative narration. It emphasizes the natural instincts and interactions of animals, appealing to readers with an interest in the natural world and animal life.
From the opening pages
n the preface to a former volume [1] I have endeavoured to trace the development of the modern animal story and have indicated what appeared to me to be its tendency and scope. It seems unnecessary to add anything here but a few words of more personal application. [1] "The Kindred of the Wild." The stories of which this volume is made up are avowedly fiction. They are, at the same time, true, in that the material of which they are moulded consists of facts,—facts as precise as painstaking observation and anxious regard for truth can make them. Certain of the stories, of course, are true literally. Literal truth may be attained by stories which treat of a single incident, or of action so restricted as to lie within the scope of a single observation. When, on the other hand, a story follows the career of a wild creature of the wood or air or water through wide intervals of time and space, it is obvious that the truth of that story must be of a different kind. The complete picture which such a story presents is built up from observation necessarily detached and scattered; so that the utmost it can achieve as a whole is consistency with truth. If a writer has, by temperament, any sympathetic understanding of the wild kindreds; if he has any intimate knowledge of their habits, with any sensitiveness to the infinite variation of their personalities; and if he has chanced to live much among them during the impressionable periods of his life, and so become saturated in their atmosphere and their environment;—then he may hope to make his most elaborate piece of animal biography not less true to nature than his transcript of an isolated fact. The present writer, having spent most of his boyhood on the fringes of the forest, with few interests save those which the forest afforded, may claim to have had the intimacies of the wilderness as it were thrust upon him. The earliest enthusiasms which he can recollect are connected with some of the furred or feathered kindred; and the first thrills strong enough to leave a lasting mark on his memory are those with which he used to follow—furtive, apprehensive, expectant, breathlessly watchful—the lure of an unknown trail. There is one more point which may seem to claim a word. A very distinguished author—to whom all contemporary writers…
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