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The Yellow Crayon

by E. Phillips (Edward Phillips) Oppenheim

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Language
EN
Format
EPUB
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239 KB

Description

This work is a mystery novel that employs a narrative structure centred around the internal reflections of its characters. It introduces Mr. Sabin, a man of apparent social standing, who is confronted with the mysterious disappearance of his wife, the Duchess of Souspennier. The plot develops through Mr. Sabin’s introspections and efforts to uncover the truth, set against a backdrop of themes including love, deception, and justice. The novel is set in the early 20th century and reflects the stylistic tendencies of that period’s crime and thriller literature.

The opening scene describes a summer day with detailed atmospheric descriptions, establishing a contemplative mood. The story proceeds with a focus on character psychology and subtle developments, characteristic of the genre and period, providing insights into the social and emotional worlds of its protagonists.

From the opening pages

It was late summer-time, and the perfume of flowers stole into the darkened room through the half-opened window. The sunlight forced its way through a chink in the blind, and stretched across the floor in strange zigzag fashion. From without came the pleasant murmur of bees and many lazier insects floating over the gorgeous flower beds, resting for a while on the clematis which had made the piazza a blaze of purple splendour. And inside, in a high-backed chair, there sat a man, his arms folded, his eyes fixed steadily upon vacancy. As he sat then, so had he sat for a whole day and a whole night. The faint sweet chorus of glad living things, which alone broke the deep silence of the house, seemed neither to disturb nor interest him. He sat there like a man turned to stone, his forehead riven by one deep line, his straight firm mouth set close and hard. His servant, the only living being who had approached him, had set food by his side, which now and then he had mechanically taken. Changeless as a sphinx, he had sat there in darkness and in light, whilst sunlight had changed to moonlight, and the songs of the birds had given place to the low murmuring of frogs from a lake below the lawns. At last it seemed that his unnatural fit had passed away. He stretched out his hand and struck a silver gong which had been left within his reach. Almost immediately a man, pale-faced, with full dark eyes and olive complexion, dressed in the sombre garb of an indoor servant, stood at his elbow. “Duson.” “Your Grace!” “Bring wine—Burgundy.” It was before him, served with almost incredible despatch—a small cobwebbed bottle and a glass of quaint shape, on which were beautifully emblazoned a coronet and fleur-de-lis. He drank slowly and deliberately. When he set the glass down it was empty. “Duson!” “Your Grace!” “You will pack my things and your own. We shall leave for New York this evening. Telegraph to the Holland House for rooms.” “For how many days, your Grace?” “We shall not return here. Pay off all the servants save two of the most trustworthy, who will remain as caretakers.” The man’s face was as immovable as his master’s. “And Madame?” “Madame will not be returning. She will have no further use for her maid.

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