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A Beautiful Alien
- Language
- EN
- Format
- EPUB
- Size
- 222 KB
Description
The novel depicts Christine Dallas, a young woman recently married and returning from Europe with her husband. It explores her feelings of foreignness and isolation, highlighting her difficulty in communicating and establishing emotional connection within her marriage. As the narrative begins, Albert Noel, an artist and lawyer, observes Christine during their voyage and perceives her beauty alongside an underlying sadness. The story examines the contrasts between appearances and inner emotions, with a focus on Christine's internal struggles and her perception of alienation in a foreign environment. Set in the late 19th century, the novel reflects contemporary themes of cultural dislocation, personal identity, and emotional intimacy, offering insight into the social and psychological states of its characters during this period.
The story primarily involves interactions aboard an ocean steamer and delves into themes of emotional distance and communication within the context of marriage and travel during the late 1800s.
The story primarily involves interactions aboard an ocean steamer and delves into themes of emotional distance and communication within the context of marriage and travel during the late 1800s.
From the opening pages
On the deck of an ocean steamer, homeward bound from Europe, a man and girl were walking to and fro. Their long march of monotonous regularity had lasted perhaps an hour, and they had become objects of special attention to the people scattered about. A man, who was taking his afternoon exercise alone, and who had accidentally fallen into line directly behind this couple, kept that position purposely, turning as they turned, and, without seeming to do so, observing them narrowly, for the reason that the woman was uncommonly beautiful. This man—Albert Noel by name—was an artist by instinct and habit, though a lawyer by profession. He painted pictures for love and practised law for money, or conventionality, or to please his mother and sisters, or from some reason which, however indefinite, had been strong enough to predominate over the longing he had always had to go to Paris, live in the Latin Quarter, and be simply and honestly what his taste dictated. Few people, perhaps, suspected his Bohemian proclivities; for he lived an extremely conventional life, was the idol of his mother and sisters, and, being well born, well-off, and sufficiently good-looking, was regarded as an excellent match matrimonially. In spite of this fact he had never been known to be seriously in love; though, being a quiet man, this experience might have befallen him without the knowledge of his friends. He was coming home from Europe now, reluctantly and with regret; but, since he had a profession, it must be attended to. He observed the tall young woman who walked in front of him on her husband’s arm (some instinct told him that it was her husband) from an artist’s standpoint only. It had occurred to him that here was a remarkable model for a picture. He furtively studied the lines of her figure, which was clad in a long, tight-fighting cloak, trimmed with fur, and the contour and color of the knot of brown hair, whose living lustre shone richly between the dull fur that bordered her collar and her hat. Every moment the study fascinated him more, as he followed and turned, as they turned. Suddenly it struck him that perhaps his interest in the pair ahead of him might, in spite of him, be observed; and so, rather reluctantly, he took a seat in one of several empty chairs at the
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