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A Book of Myths

by Jean Lang

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Language
EN
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EPUB
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3 MB

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A Book of Myths by Jean Lang is a compilation of stories from various mythological traditions, primarily focusing on narratives from ancient Greece and other cultures. The collection features well-known myths such as those of Prometheus, Pandora, Pygmalion, and Orpheus, offering accounts of divine interactions with humans and the moral lessons conveyed through these stories. Written in the early 20th century, the work reflects contemporary interests in the analytical classification of myths and their symbolic meanings, emphasizing themes of ambition, love, and divine retribution. The introductory material highlights humanity's enduring fascination with the divine and the role myths play in expressing human experiences and cultural values.

The book provides a factual overview of mythological themes and specific stories that have influenced Western cultural and literary traditions. It is aimed at readers with an interest in mythology, folklore, and their historical contexts, serving as a reference for understanding the underlying themes that connect ancient stories across different cultures.

From the opening pages

the theoretical and analytical habits. Dissection, vivisection, analysis—those are the processes to which all things not conclusively historical and all things spiritual are bound to pass. Thus we find the old myths classified into Sun Myths and Dawn Myths, Earth Myths and Moon Myths, Fire Myths and Wind Myths, until, as one of the most sane and vigorous thinkers of the present day [2] has justly observed: “If you take the rhyme of Mary and her little lamb, and call Mary the sun and the lamb the moon, you will achieve astonishing results, both in religion and astronomy, when you find that the lamb followed Mary to school one day.” In this little collection of Myths, the stories are not presented to the student of folklore as a fresh contribution to his knowledge. Rather is the book intended for those who, in the course of their reading, frequently come across names which possess for them no meaning, and who care to read some old stories, through which runs the same humanity that their own hearts know. For although the old worship has passed away, it is almost impossible for us to open a book that does not contain some mention of the gods of long ago. In our childhood we are given copies of Kingsley’s Heroes and of Hawthorne’s Tanglewood Tales . Later on, we find in Shakespeare, Spenser, Milton, Keats, Shelley, Longfellow, Tennyson, Mrs. Browning, and a host of other writers, constant allusion to the stories of the gods. Scarcely a poet has ever written but makes mention of them in one or other of his poems. It would seem as if there were no get-away from them. We might expect in this twentieth century that the old gods of Greece and of Rome, the gods of our Northern forefathers, the gods of Egypt, the gods of the British race, might be forgotten. But even when we read in a newspaper of aeroplanes, someone is more than likely to quote the story of Bellerophon and his winged steed, or of Icarus, the flyer, and in our daily speech the names of gods and goddesses continually crop up. We drive—or, at least, till lately we drove—in Phaetons. Not only schoolboys swear by Jove or by Jupiter. The silvery substance in our thermometers and barometers is named Mercury. Blacksmiths are accustomed to being referred to as “sons of Vulcan,” and beautiful…

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