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A Doll's House : a play

by Henrik Ibsen

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Description

A Doll's House is a three-act play written by Henrik Ibsen in 1879 that examines the dynamics of gender roles and personal independence within a marriage. The story centres on Nora Helmer, a woman living in a Norwegian town, who initially appears to conform to traditional domestic expectations. When a figure from her past threatens to reveal a secret financial matter, Nora faces a crisis that forces her to reassess her marriage and her own sense of identity. The play highlights issues of societal constraints and individual autonomy, provoking controversy upon its release and influencing later theatrical and social discussions on gender equality.

The play is set in a modest, tastefully furnished room, indicative of the domestic setting typical of 19th-century theatre. It remains a significant work in the history of drama for its critique of societal norms and exploration of personal morality within the confines of family life.

From the opening pages

[SCENE.—A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer’s study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the walls; a cabinet with china and other small objects; a small book-case with well-bound books. The floors are carpeted, and a fire burns in the stove. It is winter. A bell rings in the hall; shortly afterwards the door is heard to open. Enter NORA, humming a tune and in high spirits. She is in outdoor dress and carries a number of parcels; these she lays on the table to the right. She leaves the outer door open after her, and through it is seen a PORTER who is carrying a Christmas Tree and a basket, which he gives to the MAID who has opened the door.] NORA. Hide the Christmas Tree carefully, Helen. Be sure the children do not see it until this evening, when it is dressed. [To the PORTER, taking out her purse.] How much? PORTER. Sixpence. NORA. There is a shilling. No, keep the change. [The PORTER thanks her, and goes out. NORA shuts the door. She is laughing to herself, as she takes off her hat and coat. She takes a packet of macaroons from her pocket and eats one or two; then goes cautiously to her husband’s door and listens.] Yes, he is in. [Still humming, she goes to the table on the right.] HELMER. [calls out from his room] . Is that my little lark twittering out there? NORA. [busy opening some of the parcels] . Yes, it is! HELMER. Is it my little squirrel bustling about? NORA. Yes! HELMER. When did my squirrel come home? NORA. Just now. [Puts the bag of macaroons into her pocket and wipes her mouth.] Come in here, Torvald, and see what I have bought. HELMER. Don’t disturb me. [A little later, he opens the door and looks into the room, pen in hand.] Bought, did you…

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