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A pair of blue eyes

by Thomas Hardy

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A pair of blue eyes depicts the emotional and social development of Elfride Swancourt, a young woman in 19th-century rural England. The novel examines themes of love, societal expectations, and social class through her interactions with men and her navigation of personal feelings amid the backdrop of church restoration and the landscape of Wessex. The narrative focuses on Elfride’s evolving relationships, particularly with Stephen Smith, a young architect, and explores her internal conflicts as she balances her desire for social acceptance with her emotional instincts.

Set in a period marked by societal change and architectural restoration, the work situates its characters within the rural communities and landscapes of southwest England. Hardy’s story reflects Victorian concerns with morality, social stratification, and personal choice, set against a vivid rural environment that underscores the characters’ emotional and social struggles.

From the opening pages

The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediævalism whose spirit had fled, seemed a not less incongruous act than to set about renovating the adjoining crags themselves. Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation. The shore and country about “Castle Boterel” is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward of all those convenient corners wherein I have ventured to erect my theatre for these imperfect little dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge of modern American settlements, was progressive and uncertain. This, however, is of little importance. The place is pre-eminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast, that seems to exhale from the shoreward precipices, in themselves lend to the scene an atmosphere like the twilight of a night vision. One enormous sea-bord cliff in particular figures in the narrative; and for some forgotten reason or other this cliff was described in the story as being without a name. Accuracy would require the statement to be that a remarkable cliff which resembles in many points the cliff of the description bears a name that no event has made famous. T. H. March 1899 THE PERSONS ELFRIDE SWANCOURT a young Lady CHRISTOPHER SWANCOURT a Clergyman STEPHEN SMITH an Architect HENRY KNIGHT a Reviewer and Essayist CHARLOTTE TROYTON a rich Widow GERTRUDE JETHWAY a poor Widow SPENSER HUGO LUXELLIAN a Peer LADY LUXELLIAN his Wife MARY AND KATE two little Girls WILLIAM WORM a dazed Factotum JOHN SMITH a Master-mason JANE SMITH his Wife MARTIN CANNISTER a Sexton UNITY a Maid-servant Other servants,…

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