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A Small Boy and Others
by Henry James
- Language
- EN
- Format
- EPUB
- Size
- 427 KB
Description
Henry James's "A Small Boy and Others" is an autobiographical account that recounts his childhood and early years. The narrative provides insight into James's family environment, highlighting the intellectual vibrancy of his household and his early interactions with prominent literary figures such as Thackeray and Dickens. The work also covers significant formative experiences, including trips to Europe that influenced his developing artistic sensibility. Despite noting his own reticence and feelings of inadequacy relative to his brother William, James details his aspirations for artistic achievement and the social context that shaped his evolving identity.
The book is a reflection on the early influences that informed James's later literary career. Published in 1913, it belongs to the genre of autobiography and offers a detailed view of American literary and cultural life in the late 19th and early 20th centuries. The narrative emphasizes the importance of familial bonds, personal observation, and the development of artistic ambitions during James's formative years.
The book is a reflection on the early influences that informed James's later literary career. Published in 1913, it belongs to the genre of autobiography and offers a detailed view of American literary and cultural life in the late 19th and early 20th centuries. The narrative emphasizes the importance of familial bonds, personal observation, and the development of artistic ambitions during James's formative years.
From the opening pages
In the attempt to place together some particulars of the early life of William James and present him in his setting, his immediate native and domestic air, so that any future gathered memorials of him might become the more intelligible and interesting, I found one of the consequences of my interrogation of the past assert itself a good deal at the expense of some of the others. For it was to memory in the first place that my main appeal for particulars had to be made; I had been too near a witness of my brother's beginnings of life, and too close a participant, by affection, admiration and sympathy, in whatever touched and moved him, not to feel myself in possession even of a greater quantity of significant truth, a larger handful of the fine substance of history, than I could hope to express or apply. To recover anything like the full treasure of scattered, wasted circumstance was at the same time to live over the spent experience itself, so deep and rich and rare, with whatever sadder and sorer intensities, even with whatever poorer and thinner passages, after the manner of every one's experience; and the effect of this in turn was to find discrimination among the parts of my subject again and again difficult—so inseparably and beautifully they seemed to hang together and the comprehensive case to decline mutilation or refuse to be treated otherwise than handsomely. This meant that aspects began to multiply and images to swarm, so far at least as they showed, to appreciation, as true terms and happy values; and that I might positively and exceedingly rejoice in my relation to most of them, using it for all that, as the phrase is, it should be worth. To knock at the door of the past was in a word to see it open to me quite wide—to see the world within begin to "compose" with a grace of its own round the primary figure, see it people itself vividly and insistently. Such then is the circle of my commemoration and so much these free and copious notes a labour of love and loyalty. We were, to my sense, the blest group of us, such a company of characters and such a picture of differences, and withal so fused and united and interlocked, that each of us, to that fond fancy, pleads for preservation, and…
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