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An Essay on Criticism
- Language
- EN
- Format
- EPUB
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- 103 KB
Description
An essay on criticism was published in 1711 by Alexander Pope, who sought to articulate principles for evaluating literary works within the context of early 18th-century British literature. Composed in heroic couplets, the work functions as a verse essay that offers guidance for writers and critics, emphasising the importance of classical literary standards and imitation of ancient authors such as Homer and Virgil. It discusses the qualities of good criticism, the importance of taste, and common faults to avoid, reflecting the evolving standards of literary judgment during the Augustan Age. The poem is notable for its concise aphorisms, including well-known quotations, and exemplifies the didactic tone characteristic of Augustan poetry.
Set in the context of early 18th-century Britain, the work reflects the period’s interest in classical models and the nascent development of literary criticism as a discipline. It functions both as a prescriptive guide and as a reflection of contemporary debates about literary taste, originality, and the role of the critic in shaping literary standards.
Set in the context of early 18th-century Britain, the work reflects the period’s interest in classical models and the nascent development of literary criticism as a discipline. It functions both as a prescriptive guide and as a reflection of contemporary debates about literary taste, originality, and the role of the critic in shaping literary standards.
From the opening pages
His parents were Roman Catholics, and to this faith the poet adhered, thus debarring himself from public office and employment. His father, a linen merchant, having saved a moderate competency, withdrew from business, and settled on a small estate he had purchased in Windsor Forest. He died at Chiswick, in 1717. His son shortly afterwards took a long lease of a house and five acres of land at Twickenham, on the banks of the Thames, whither he retired with his widowed mother, to whom he was tenderly attached and where he resided till death, cultivating his little domain with exquisite taste and skill, and embellishing it with a grotto, temple, wilderness, and other adjuncts poetical and picturesque. In this famous villa Pope was visited by the most celebrated wits, statesmen and beauties of the day, himself being the most popular and successful poet of his age. His early years were spent at Binfield, within the range of the Royal Forest. He received some education at little Catholic schools, but was his own instructor after his twelfth year. He never was a profound or accurate scholar, but he read Latin poets with ease and delight, and acquired some Greek, French, and Italian. He was a poet almost from infancy, he "lisped in numbers," and when a mere youth surpassed all his contemporaries in metrical harmony and correctness. His pastorals and some translations appeared in 1709, but were written three or four years earlier. These were followed by the Essay on Criticism , 1711; Rape of the Lock (when completed, the most graceful, airy, and imaginative of his works), 1712-1714; Windsor Forest , 1713; Temple of Fame , 1715. In a collection of his works printed in 1717 he included the Epistle of Eloisa and Elegy on an Unfortunate Lady , two poems inimitable for pathetic beauty and finished melodious versification. From 1715 till 1726 Pope was chiefly engaged on his translations of the Iliad and Odyssey , which, though wanting in time Homeric simplicity, naturalness, and grandeur, are splendid poems. In 1728-29 he published his greatest satire—the Dunciad , an attack on all poetasters and pretended wits, and on all other persons against whom the sensitive poet had conceived any enmity. In 1737 he gave to the world a volume of his Literary Correspondence , containing some pleasant gossip and observations, with choice passages of description but it appears that the…
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