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As You Like It

by William Shakespeare

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In this pastoral comedy, characters escape the constraints of courtly life to find refuge and self-discovery in the Forest of Arden. Rosalind, daughter of the exiled Duke Senior, flees her uncle Duke Frederick’s court after a political conflict. Accompanied by her cousin Celia, she dons disguises and assumes different identities, navigating love, friendship, and social roles in the rural setting. The play examines themes of love, identity, and the contrast between courtly and natural life through encounters with a variety of characters, including the philosopher Jaques, known for his reflective monologue on the stages of human life.

Written in 1599, the work belongs to the genre of Elizabethan comedy and reflects the period’s interest in pastoral themes and social satire. Its dialogue and character interactions highlight the distinction between the artificiality of court life and the perceived sincerity of country existence. The play’s structure and language exemplify William Shakespeare’s use of wit, wordplay, and characterisation within a comedic framework rooted in Renaissance theatrical conventions.

From the opening pages

DUKE FREDERICK, Brother to the Duke, and Usurper of his Dominions CHARLES, his Wrestler LE BEAU, a Courtier attending upon Frederick CORIN, Shepherd SILVIUS, Shepherd PHOEBE, a Shepherdess AUDREY, a Country Wench WILLIAM, a Country Fellow, in love with Audrey SIR OLIVER MARTEXT, a Vicar A person representing HYMEN Lords belonging to the two Dukes; Pages, Foresters, and other Attendants. The scene lies first near Oliver’s house; afterwards partly in the Usurper’s court and partly in the Forest of Arden. Enter Orlando and Adam . ORLANDO. As I remember, Adam, it was upon this fashion bequeathed me by will but poor a thousand crowns, and, as thou sayst, charged my brother, on his blessing, to breed me well; and there begins my sadness. My brother Jaques he keeps at school, and report speaks goldenly of his profit. For my part, he keeps me rustically at home, or, to speak more properly, stays me here at home unkept; for call you that keeping, for a gentleman of my birth, that differs not from the stalling of an ox? His horses are bred better, for, besides that they are fair with their feeding, they are taught their manage and to that end riders dearly hired; but I, his brother, gain nothing under him but growth, for the which his animals on his dunghills are as much bound to him as I. Besides this nothing that he so plentifully gives me, the something that nature gave me his countenance seems to take from me. He lets me feed with his hinds, bars me the place of a brother, and as much as in him lies, mines my gentility with my education. This is it, Adam, that grieves me, and the spirit of my father, which I think is within me, begins to mutiny against this servitude. I will no longer endure it, though yet I know no wise remedy how to avoid it. Enter Oliver . ADAM. Yonder comes my master, your brother. ORLANDO. Go apart, Adam, and thou shalt hear how he will shake me up. [ Adam retires. ] OLIVER. Now, sir, what make you here? ORLANDO. Nothing. I am not taught to make anything. OLIVER. What mar you then, sir? ORLANDO. Marry, sir, I am helping you to mar that which God made, a poor unworthy brother of yours, with idleness. OLIVER. Marry, sir, be better employed, and be naught…

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