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Ash-Wednesday
by T. S. (Thomas Stearns) Eliot
- Language
- EN
- Format
- EPUB
- Size
- 296 KB
Description
Ash-Wednesday is a long poem composed by T. S. Eliot during his conversion to Anglicanism in 1927 and published in 1930. It reflects a spiritual awakening and the internal struggle associated with moving from spiritual barrenness towards faith and hope in divine salvation. The poem employs a contemplative tone and integrates allusions to Dante's Purgatorio, illustrating the transition from despair to spiritual renewal. Its style diverges from Eliot's earlier poetry, adopting a more melodic and casual rhythm that emphasizes personal reflection and penitence. The work is often regarded as an expression of Eliot’s religious transformation and has been called his "conversion poem." Throughout its verses, the poem explores themes of spiritual doubt, the act of prayer, and the desire for divine mercy, set within a modernist poetic framework that synthesises traditional religious imagery with contemporary sensibilities.
From the opening pages
There, where trees flower, and springs flow, for there is nothing again Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place I rejoice that things are as they are and I renounce the blessèd face And renounce the voice Because I cannot hope to turn again Consequently I rejoice, having to construct something Upon which to rejoice And pray to God to have mercy upon us And I pray that I may forget These matters that with myself I too much discuss Too much explain Because I do not hope to turn again Let these words answer For what is done, not to be done again May the judgement not be too heavy upon us Because these wings are no longer wings to fly But merely vans to beat the air The air which is now thoroughly small and dry Smaller and dryer than the will Teach us to care and not to care Teach us to sit still. Pray for us sinners now and at the hour of our death Pray for us now and at the hour of our death. II Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. The Lady is withdrawn In a white gown, to contemplation, in a white gown. Let the whiteness of bones atone to forgetfulness. There is no life in them. As I am forgotten And would be forgotten, so I would forget Thus devoted, concentrated in purpose. And God said Prophesy to the wind, to the wind only for only The wind will listen.…
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