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Blue-grass and Broadway
- Language
- EN
- Format
- EPUB
- Size
- 293 KB
Description
Set in the early 20th century, "Blue-grass and Broadway" by Maria Thompson Daviess depicts the life of Patricia Adair, an aspiring playwright from Adairville, Kentucky. The novel follows her as she seeks to establish a career in the theatre world, with her ambitions culminating in the production of her play, "The Renunciation of Rosalind," in New York City. The narrative chronicles her initial excitement, the challenges of navigating the competitive and often unpredictable environment of Broadway, and her interactions with experienced theatre professionals such as producer Godfrey Vandeford. The story combines elements of adventure and romance, highlighting the personal and professional struggles faced by a young woman pursuing her artistic dreams amidst the backdrop of the bustling theatre scene.
Written in the early 20th century, the novel reflects contemporary themes of ambition, artistic endeavour, and the allure of success in the American theatre industry. It offers a detailed portrayal of the aspirations and obstacles encountered by a woman seeking recognition in a male-dominated field, set against the contrasting settings of rural Kentucky and the metropolitan theatre district of New York. The work provides insight into the cultural landscape of the period and the social dynamics influencing theatrical pursuits.
Written in the early 20th century, the novel reflects contemporary themes of ambition, artistic endeavour, and the allure of success in the American theatre industry. It offers a detailed portrayal of the aspirations and obstacles encountered by a woman seeking recognition in a male-dominated field, set against the contrasting settings of rural Kentucky and the metropolitan theatre district of New York. The work provides insight into the cultural landscape of the period and the social dynamics influencing theatrical pursuits.
From the opening pages
Minor punctuation errors have been corrected without notice. Printer errors have been changed, and they are indicated with a mouse-hover and listed at the end of this book . All other inconsistencies are as in the original. "We are all going to stand by, little girl" BLUE-GRASS AND BROADWAY BY MARIA THOMPSON DAVIESS Author of "The Melting of Molly," "The Golden Bird," "The Tinder Box," etc. NEW YORK THE CENTURY CO. 1919 Copyright, 1919, by The Century Co . Copyright, 1918, by International Magazine Company (Harper's Bazar) Published, April, 1919 The need of a large sum of money in a great hurry is the root of many noble ambitions, in whose branches roost strange companies of birds, pecking away for dollars that grow—or do not—on bushes. And it was in such a quest that Miss Patricia Adair of Adairville, Kentucky, lit upon a limb of life beside Mr. Godfrey Vandeford of Broadway, New York. Their joint endeavors made a great adventure. "There's nothing to it, Pop; either pony girls will have to grow four legs to cut new capers, somebody will have to write a play entitled 'When Courtship Was in Flower,' requiring flowered skirts ten yards wide with a punch in each furbelow, or we go out of the theatrical business," said Mr. Vandeford, as he shuffled a faint, violet-tinted letter out of a pile of advertising posters emblazoned with dancing girls and men, several personal bills, two from a theatrical storage house and one from an electrical expert, leaned back in his chair, and prepared to open the violet communication. "We dropped twenty thousand cool on 'Miss Cut-up,' and those sixteen pairs of legs cost us fifteen hundred a week. We might be in danger of starving right here on Broadway, if we hadn't picked a sure-fire hit in 'The Rosie Posie Girl.'" "Ain't it the truth," answered Mr. Adolph Meyers, as he glanced up from his typewriter with a twinkle in his big black eyes that were like gems in a round, very sedate, even sad, Hebrew face. "Bare legs and 'cut-ups' is already old now, Mr. Vandeford. It is that we must have now a play with a punch." "The law won't let us take anything more off the chorus, so we'll have to swing back and put a lot on. Costumes that cost a million will be the next drag, mark me, Pop," Mr. Godfrey…
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