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Carmen
- Language
- EN
- Format
- EPUB
- Size
- 122 KB
Description
The novella recounts the story of Don José, a soldier who falls into tragic ruin after becoming enamoured with Carmen, a fiercely independent Romani woman. Carmen's refusal to be constrained by social expectations leads to jealousy, violence, and ultimately death. The narrative explores themes of passion, free will, and the destructive consequences of obsession within a setting of 19th-century Spain. The work is classified within the crime, thrillers, and mystery genres, reflecting its focus on human passions and moral conflicts.
Published in 1845, "Carmen" is a short work by Prosper Mérimée that combines elements of romanticism and realism. Its vivid characterisations and intense emotional conflicts exemplify the literary style of the period, and the novella has influenced later adaptations, notably Bizet's opera. The story is set against the backdrop of Andalusia, utilising regional character and atmosphere to heighten its themes of passion and fate.
Published in 1845, "Carmen" is a short work by Prosper Mérimée that combines elements of romanticism and realism. Its vivid characterisations and intense emotional conflicts exemplify the literary style of the period, and the novella has influenced later adaptations, notably Bizet's opera. The story is set against the backdrop of Andalusia, utilising regional character and atmosphere to heighten its themes of passion and fate.
From the opening pages
I had always suspected the geographical authorities did not know what they were talking about when they located the battlefield of Munda in the county of the Bastuli-Poeni, close to the modern Monda, some two leagues north of Marbella. According to my own surmise, founded on the text of the anonymous author of the Bellum Hispaniense , and on certain information culled from the excellent library owned by the Duke of Ossuna, I believed the site of the memorable struggle in which Caesar played double or quits, once and for all, with the champions of the Republic, should be sought in the neighbourhood of Montilla. Happening to be in Andalusia during the autumn of 1830, I made a somewhat lengthy excursion, with the object of clearing up certain doubts which still oppressed me. A paper which I shall shortly publish will, I trust, remove any hesitation that may still exist in the minds of all honest archaeologists. But before that dissertation of mine finally settles the geographical problem on the solution of which the whole of learned Europe hangs, I desire to relate a little tale. It will do no prejudice to the interesting question of the correct locality of Monda. I had hired a guide and a couple of horses at Cordova, and had started on my way with no luggage save a few shirts, and Caesar’s Commentaries . As I wandered, one day, across the higher lands of the Cachena plain, worn with fatigue, parched with thirst, scorched by a burning sun, cursing Caesar and Pompey’s sons alike, most heartily, my eye lighted, at some distance from the path I was following, on a little stretch of green sward dotted with reeds and rushes. That betokened the neighbourhood of some spring, and, indeed, as I drew nearer I perceived that what had looked like sward was a marsh, into which a stream, which seemed to issue from a narrow gorge between two high spurs of the Sierra di Cabra, ran and disappeared. If I rode up that stream, I argued, I was likely to find cooler water, fewer leeches and frogs, and mayhap a little shade among the rocks. At the mouth of the gorge, my horse neighed, and another horse, invisible to me, neighed back. Before I had advanced a hundred paces, the gorge suddenly widened, and I beheld a sort of natural amphitheatre, thoroughly shaded by…
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