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Classic French Course in English

by William Cleaver Wilkinson

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EPUB
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Description

The work provides an overview of French literary tradition aimed at English-speaking audiences, focusing on key writers and their contributions. It presents selected extracts from notable French authors, accompanied by critical commentary and historical background to facilitate understanding of the tradition's scope and significance. The author discusses the diversity of French literature, emphasizing its achievements in eloquence, philosophy, and comedy, and highlighting its influence across various intellectual fields. The volume situates these literary works within their broader cultural and historical contexts, offering insights into their development and enduring importance.

Published in the late 19th century, the book is part of a series designed to introduce readers to important world literatures through accessible excerpts and scholarly guidance. It serves as a foundational reference for those seeking to understand the major themes and figures of French literary history, with particular attention to its remarkable breadth and depth across different periods and genres.

From the opening pages

The required books of the C. L. S. C. are recommended by a Council of six. It must, however, be understood that recommendation does not involve an approval by the Council, or by any member of it, of every principle or doctrine contained in the book recommended. ELECTROTYPED AND PRINTED BY RAND, AVERY, & COMPANY. BOSTON. CONTENTS. CLASSIC FRENCH COURSE IN ENGLISH. INDEX. PREFACE. The preparation of the present volume proposed to the author a task more difficult far than that undertaken in any one of the four preceding volumes of the group, The After-School Series , to which it belongs. Those volumes dealt with literatures limited and finished: this volume deals with a literature indefinitely vast in extent, and still in vital process of growth. The selection of material to be used was, in the case of the earlier volumes, virtually made for the author beforehand, in a manner greatly to ease his sense of responsibility for the exercise of individual judgment and taste. Long prescription, joined to the winnowing effect of wear and waste through time and chance, had left little doubt what works of what writers, Greek and Roman, best deserved now to be shown to the general reader. Besides this, the prevalent custom of the schools of classical learning could then wisely be taken as a clew of guidance to be implicitly followed, whatever might be the path through which it should lead. There is here no similar avoidance of responsibility possible; for the schools have not established a custom, and French literature is a living body, from which no important members have ever yet been rent by the ravages of time. The greater difficulty seen thus to inhere already in the nature itself of the task proposed for accomplishment, was gravely increased by the much more severe compression deemed to be in the present instance desirable. The room placed at the author's disposal for a display of French literature was less than half the room allowed him for the display of either the Greek or the Latin. The plan, therefore, of this volume, imposed the necessity of establishing from the outset certain limits, to be very strictly observed. First, it was resolved to restrict the attention bestowed upon the national history, the national geography, and the national language, of the French, to such brief occasional notices as, in the course of the volume, it might…

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