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Color Value
by C. R. (Chandler Robbins) Clifford
- Language
- EN
- Format
- EPUB
- Size
- 2.4 MB
Description
This book is a practical manual on colour theory and its application within interior design, structured to provide guidance on the fundamental principles of light, colour, form, and proportion. It is based on early 20th-century assumptions about how these elements interact to influence aesthetic outcomes in interior decoration. The work emphasises the importance of understanding natural and artificial light in relation to colour choices, aiming to help practitioners and students develop effective colour schemes by considering the relationships among light, perception, and form.
The author discusses the composition of white light, the perception of colour as a sensation, and the technical laws governing colour application. The book underscores that successful interior decoration depends on maintaining a balance between colour, light, form, and dimensions, with attention to technical principles rather than stylistic or historic considerations.
The author discusses the composition of white light, the perception of colour as a sensation, and the technical laws governing colour application. The book underscores that successful interior decoration depends on maintaining a balance between colour, light, form, and dimensions, with attention to technical principles rather than stylistic or historic considerations.
From the opening pages
Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proportion can exist only by a balance with Dimensions. Therefore, apart from any knowledge of historic or period decoration, effective or successful work must observe the technical laws governing conditions. LIGHT 1. The white light of the sun is compounded of an almost innumerable number of color elements, as shown by the phenomena of the rainbow or by experimenting with the prism. (See 7 .) When a ray of sunshine passes through a glass prism it is decomposed or separated, and if the prismatic colors are received upon a white screen you will find on the spectrum among the colors generated a pure blue, a pure red and a pure yellow. These are the primary colors, and it is necessary when thinking color to bear these prismatic colors in mind as standards. 2. Color is an internal sensation originating in the excitation of the optic nerve by a wave action which we call light. 3. The theory of light, the wave theory, is based upon the assumption that throughout all space there is an infinitely thin medium called ether. Scientists differ as to what this may be, but its movements constitute light, a reflection from a luminous body. 4. Everything which we see is visible because it either emits light, like a flame, or reflects light. 5. A piece of black cloth upon a white plate reflects but a small proportion of the light. The plate reflects a large proportion. A piece of black velvet reflects less light than black cloth and gives the effect of absolute blackness, or an empty and dark space. 6. In practical demonstrations the study of color will be confusing unless it is understood at the outstart that pure prismatic colors can seldom be found in manufactured pigments, hence any demonstration of the theory of color composition is usually unsatisfactory. 7. The theory which brings out of a ray of sunshine the disunited prismatic colors carries with it the deduction that before separation these colors constitute white light; but it must be manifest to even the superficial reader that such colors are mere spectrum colors—vision colors—and any amalgamation of material or pigment colors, so far…
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