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Dubliners

by James Joyce

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Description

"Dubliners" by James Joyce is a collection of fifteen short stories set in early twentieth-century Dublin. The narratives depict the everyday lives of Irish middle-class residents, focusing on themes of stagnation, disillusionment, and the struggle for personal freedom. The stories trace characters from childhood through adult public life, illustrating moments of self-awareness amid social and religious constraints. Each tale presents situations where individuals confront paralysis—metaphorically and literally—and seek moments of clarity or change within a city caught in a period of political and cultural stagnation.

Written between 1904 and 1907 and published in 1914, the collection exemplifies modernist short fiction, employing a realistic style to depict the psychological and social realities of its characters. As a reflection of Dublin society, the stories reveal tensions related to nationalism, Catholicism, and British rule, capturing a city at a crossroads during a turbulent historical period. The book remains a significant work in the context of Irish literature and early modernist narrative techniques.

From the opening pages

There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: “I am not long for this world,” and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work. Old Cotter was sitting at the fire, smoking, when I came downstairs to supper. While my aunt was ladling out my stirabout he said, as if returning to some former remark of his: “No, I wouldn’t say he was exactly ... but there was something queer ... there was something uncanny about him. I’ll tell you my opinion....” He began to puff at his pipe, no doubt arranging his opinion in his mind. Tiresome old fool! When we knew him first he used to be rather interesting, talking of faints and worms; but I soon grew tired of him and his endless stories about the distillery. “I have my own theory about it,” he said. “I think it was one of those ... peculiar cases.... But it’s hard to say....” He began to puff again at his pipe without giving us his theory. My uncle saw me staring and said to me: “Well, so your old friend is gone, you’ll be sorry to hear.” “Who?” said I. “Father Flynn.” “Is he dead?” “Mr Cotter here has just told us. He was passing by the house.” I knew that I was under observation so I continued eating as if the news had not interested me. My uncle explained to old Cotter. “The youngster and he were great friends. The old…

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