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Eloisa : $b or, A series of original letters

by Jean-Jacques Rousseau

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Eloisa: or, A series of original letters is the English translation of Rousseau's epistolary novel, originally titled Julie, ou La Nouvelle Héloïse. The narrative revolves around the romantic relationship between St. Preux, a tutor of modest social standing, and Eloisa, an aristocratic woman. Through a collection of letters exchanged among the characters and commentary from various figures, the work examines themes such as social hierarchy, premarital love, female autonomy, and notions of virtue. It features a preface with Rousseau's reflections on the moral implications of the story, as well as a dialogue addressing the novel’s ethical aspects, and includes a translator’s note alongside a contemporary Parisian review.

Published in 1761, this work belongs to the Enlightenment period, reflecting its interest in morality, social critique, and individual emotion. As a foundational text of sentimental literature, it explores the tensions between personal desire and societal expectations against the backdrop of 18th-century European social norms. The novel’s structure highlights its epistolary form, showcasing the influence of new narrative styles in the period.

From the opening pages

London: Printed for R. Griffiths, at the Dunciad, and T. Becket and P.A. DeHondt at Tully's Head, in the Strand. MDCCLXI. Table of Contents Translation of M. Rousseau's Preface Preface by the Translator A Dialogue Between a Man of Letters and Mr. J. J. Rousseau Advertisement Translation of M. Rousseau’s Preface Great cities require public theatres, and romances are necessary to a corrupt people. I saw the manners of the times, and have published these letters. Would to heaven I had lived in an age when I ought rather to have thrown them in the fire! Though I appear only as the editor of this work, I confess that I have had some share in the composition. But am I the sole author, and is the entire correspondence fictitious? Ye people of the world, of what importance is it to you? Certainly, to you, it is all a fiction. Every honest man will avow the books which he publishes. I have prefixed my name to these letters, not with a design to appropriate them to myself, but that I might be answerable for them. If they deserve censure, let it fall on me; if they have any merit, I am not ambitious of the praise. If it is a bad book, I am the more obliged to own it: I do not wish to pass for better than I am. As to the reality of the history, I declare that, though I have been several times in the country of the two lovers, I never heard either of Baron D’Etange, his daughter, Mr. Orbe, Lord B——, or Mr. Wolmar. I must also inform the reader that there are several topographical errors in this work; but whether they are the effect of ignorance or design, I leave undetermined. This is all I am at liberty to say: let every one think as he pleases. The book seems not calculated for an extensive circulation, as it is not adapted to the generality of readers. The stile will offend people of taste, to austere men the matter will be alarming, and all the sentiments will seem unnatural to those who know not what is meant by the word virtue. It ought to displease the devotee, the libertine, the philosopher; to shock all the ladies of gallantry, and to scandalize every modest woman. By whom, therefore, will it be approved? Perhaps only by myself:…

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