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Father Goriot
- Language
- EN
- Format
- EPUB
- Size
- 295 KB
Description
Set in Paris during the period of the Bourbon Restoration, Honoré de Balzac's 1835 novel examines social and personal ambitions through the interconnected lives of its characters. The narrative focuses on an elderly father, Father Goriot, who devotes himself entirely to his daughters’ wellbeing, and a young law student from the provinces who arrives in the city seeking opportunity. The novel portrays the social environment of early 19th-century Paris, highlighting the themes of greed, social climbing, and the deterioration of familial bonds amid a society marked by economic disparity and moral corruption.
The story explores the evolving relationships and aspirations of its characters as they navigate the complexities of Parisian society. Through realistic characterisation and detailed settings, Balzac captures the harsh realities faced by individuals trying to improve their social standing. The novel is notable for its detailed depiction of the social hierarchy and the individual's place within it during this historical period.
The story explores the evolving relationships and aspirations of its characters as they navigate the complexities of Parisian society. Through realistic characterisation and detailed settings, Balzac captures the harsh realities faced by individuals trying to improve their social standing. The novel is notable for its detailed depiction of the social hierarchy and the individual's place within it during this historical period.
From the opening pages
To the great and illustrious Geoffroy Saint-Hilaire, a token of admiration for his works and genius. DE BALZAC. FATHER GORIOT ADDENDUM FATHER GORIOT Mme. Vauquer ( nee de Conflans) is an elderly person, who for the past forty years has kept a lodging-house in the Rue Nueve-Sainte-Genevieve, in the district that lies between the Latin Quarter and the Faubourg Saint-Marcel. Her house (known in the neighborhood as the Maison Vauquer ) receives men and women, old and young, and no word has ever been breathed against her respectable establishment; but, at the same time, it must be said that as a matter of fact no young woman has been under her roof for thirty years, and that if a young man stays there for any length of time it is a sure sign that his allowance must be of the slenderest. In 1819, however, the time when this drama opens, there was an almost penniless young girl among Mme. Vauquer’s boarders. That word drama has been somewhat discredited of late; it has been overworked and twisted to strange uses in these days of dolorous literature; but it must do service again here, not because this story is dramatic in the restricted sense of the word, but because some tears may perhaps be shed intra et extra muros before it is over. Will any one without the walls of Paris understand it? It is open to doubt. The only audience who could appreciate the results of close observation, the careful reproduction of minute detail and local color, are dwellers between the heights of Montrouge and Montmartre, in a vale of crumbling stucco watered by streams of black mud, a vale of sorrows which are real and joys too often hollow; but this audience is so accustomed to terrible sensations, that only some unimaginable and well-neigh impossible woe could produce any lasting impression there. Now and again there are tragedies so awful and so grand by reason of the complication of virtues and vices that bring them about, that egotism and selfishness are forced to pause and are moved to pity; but the impression that they receive is like a luscious fruit, soon consumed. Civilization, like the car of Juggernaut, is scarcely stayed perceptibly in its progress by a heart less easy to break than the others that lie in its course; this also is broken, and Civilization continues on her course…
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