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Imaginary Conversations and Poems: A Selection

by Walter Savage Landor

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"Imaginary Conversations and Poems: A Selection" by Walter Savage Landor comprises a series of dialogues imagined between historical figures from different periods, including classical heroes, statesmen, literary personalities, and notable women. Initiated in 1823 and published between 1824 and 1829, the work presents these conversations as dramatic dialogues that examine philosophical, political, and moral issues. Critics have noted the composition as resembling one-act dramas, highlighting Landor’s skill in prose and his interest in contrasting personalities across time. The dialogues often reflect on themes of virtue, power, justice, and human character, engaging the reader with speculative interactions that are both reflective and illustrative of historical and moral ideas.

The collection exemplifies early 19th-century British literature and Landor's engagement with classical and historical subjects through imaginative prose. The work is characterised by its rhetorical style and moral inquiry, contributing to the tradition of dialogue as a literary form. These conversations serve to explore the values and dilemmas faced by figures from various epochs, offering a literary synthesis of history and philosophy.

From the opening pages

not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back again. Who presumed to touch my shoulder? This horse? It was surely the horse of Marcellus! Let no man mount him. Ha! ha! the Romans, too, sink into luxury: here is gold about the charger. Gaulish Chieftain. Execrable thief! The golden chain of our king under a beast’s grinders! The vengeance of the gods hath overtaken the impure—— Hannibal. We will talk about vengeance when we have entered Rome, and about purity among the priests, if they will hear us. Sound for the surgeon. That arrow may be extracted from the side, deep as it is. The conqueror of Syracuse lies before me. Send a vessel off to Carthage. Say Hannibal is at the gates of Rome. Marcellus, who stood alone between us, fallen. Brave man! I would rejoice and cannot. How awfully serene a countenance! Such as we hear are in the islands of the Blessed. And how glorious a form and stature! Such too was theirs! They also once lay thus upon the earth wet with their blood—few other enter there. And what plain armour! Gaulish Chieftain. My party slew him; indeed, I think I slew him myself. I claim the chain: it belongs to my king; the glory of Gaul requires it. Never will she endure to see another take it. Hannibal. My friend, the glory of Marcellus did not require him to wear it. When he suspended the arms of your brave king in the temple, he thought such a trinket unworthy of himself and of Jupiter. The shield he battered down, the breast-plate he pierced with his sword—these he showed to the people and to the gods; hardly his wife and little children saw this, ere his horse wore it. Gaulish Chieftain. Hear me; O Hannibal! Hannibal. What! when Marcellus lies before me? when his life may perhaps be recalled? when I may lead him in triumph to Carthage? when Italy, Sicily, Greece, Asia, wait to obey me? Content thee! I will give thee mine own bridle, worth ten such. Gaulish Chieftain. For myself? Hannibal. For thyself. Gaulish Chieftain. And these rubies and emeralds, and that

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