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Just Around the Corner: Romance en casserole
by Fannie Hurst
- Language
- EN
- Format
- EPUB
- Size
- 676 KB
Description
This novel is a work of American literature written in prose that depicts urban life in the early 20th century. It follows the personal and romantic pursuits of characters employed at the Knockerbeck Hotel, with a focus on Gertrude Sprunt, a hotel manicurist. The narrative describes her interactions with colleagues, patrons, and suitors, set against the lively, bustling environment of the hotel and city surroundings. The story encapsulates themes of romance, aspiration, and social interaction within a fragmented, modern setting, reflecting the social dynamics of the period.
The novel provides detailed descriptions of hotel parlours and interior scenes, illustrating the setting's opulence and architectural features. It offers a glimpse into the lives of working women and their romantic entanglements amid the hustle and bustle of urban hotel life. The work is characteristic of early 20th-century American fiction, combining social realism with character-driven storytelling.
The novel provides detailed descriptions of hotel parlours and interior scenes, illustrating the setting's opulence and architectural features. It offers a glimpse into the lives of working women and their romantic entanglements amid the hustle and bustle of urban hotel life. The work is characteristic of early 20th-century American fiction, combining social realism with character-driven storytelling.
From the opening pages
She Held Up a Hand as Light as a Leaf, and He Took It in a Wide, Gentle Clasp that Enveloped It Facing p. 290 "Hello!" He Whispered, Extending Both Hands and Smiling at Her until all His Teeth Showed " 328 "I Went Over to Loo's, and We Stayed Up and Talked So Late—I Didn't Know—" " 360 JUST AROUND THE CORNER POWER AND HORSE-POWER IN the Knockerbeck Hotel there are various parlors; Pompeian rooms lined in marble and pillared in chaste fluted columns; Louis Quinze corners, gold-leafed and pink-brocaded, principally furnished with a spindly-legged Vernis-Martin cabinet and a large French clock in the form of a celestial sphere surmounted by a gold cupid. There are high-ceilinged rendezvous rooms, with six arm and two straight chairs chased after the manner of Gouthière, and a series of small inlaid writing-desks, generously equipped for an avidious public to whom the crest-embossed stationery of a four-dollar-a-day-up hotel suggests long-forgotten friends back home. Just off the lobby is the Oriental room, thick with arabesque hangings and incense and distinguished by the famous pair of Chinese famille rose mandarin jars, fifty-three inches high and enameled with Hoho birds and flowers. In careful contrast the adjoining room, a Colonial parlor paneled in black walnut and designed by a notorious architect, is ten degrees lower in temperature and lighted by large rectangular windows, through whose leaded panes a checkered patch of sunshine filters across the floor for half an hour each forenoon. Then there is the manicure parlor, done in white tile, and stationary wash-stands by the Herman Casky Hygienic Company, Eighth Avenue. The oracle of this particular Delphi was Miss Gertrude Sprunt, white-shirtwaisted, smooth-haired, and cool-fingered. Miss Sprunt could tell, almost as soon as you stepped out of the elevator opposite the parlors, the shortest cut to your hand and heart; she could glance at a pair of cuffs and give the finger-nails a correspondingly high or domestic finish, and could cater to the manicurial whims of Fifth Avenue and Four Corners alike. After one digital treat at her clever hands you enlisted as one of Miss Sprunt's regulars. This fact was not lost upon her sister worker, Miss Ethyl Mooney. "Say, Gertie"—Miss Mooney tied a perky little apron about her trim waist and patted a bow into place—"is there ever a mornin' that you ain't booked clear through the day?" Miss Sprunt hung her…
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