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Kim
- Language
- EN
- Format
- EPUB
- Size
- 327 KB
Description
This novel is a work of adventure fiction structured around the life of a young orphan in British India. It follows the protagonist, Kim, as he navigates the streets of Lahore and encounters various local cultures, religions, and social norms. The narrative combines elements of coming-of-age with espionage, as Kim becomes involved in the complex political conflicts of the period, notably the Great Game between Britain and Russia. The storyline incorporates travel along the Grand Trunk Road and features Kim's relationship with a Tibetan lama, which influences his development and understanding of spiritual and cultural traditions.
Published in 1901, the novel reflects the late 19th-century geopolitical and social landscape of India under British rule. It presents a detailed portrait of Indian cities, landscapes, and communities, blending adventure with a depiction of cultural diversity. The work is considered a significant example of colonial-era literature, illustrating both the intrigue of espionage and the rich tapestry of Indian life during that period.
Published in 1901, the novel reflects the late 19th-century geopolitical and social landscape of India under British rule. It presents a detailed portrait of Indian cities, landscapes, and communities, blending adventure with a depiction of cultural diversity. The work is considered a significant example of colonial-era literature, illustrating both the intrigue of espionage and the rich tapestry of Indian life during that period.
From the opening pages
He sat, in defiance of municipal orders, astride the gun Zam Zammah on her brick platform opposite the old Ajaib-Gher—the Wonder House, as the natives call the Lahore Museum. Who hold Zam-Zammah, that “fire-breathing dragon”, hold the Punjab, for the great green-bronze piece is always first of the conqueror’s loot. There was some justification for Kim—he had kicked Lala Dinanath’s boy off the trunnions—since the English held the Punjab and Kim was English. Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white—a poor white of the very poorest. The half-caste woman who looked after him (she smoked opium, and pretended to keep a second-hand furniture shop by the square where the cheap cabs wait) told the missionaries that she was Kim’s mother’s sister; but his mother had been nursemaid in a Colonel’s family and had married Kimball O’Hara, a young colour-sergeant of the Mavericks, an Irish regiment. He afterwards took a post on the Sind, Punjab, and Delhi Railway, and his Regiment went home without him. The wife died of cholera in Ferozepore, and O’Hara fell to drink and loafing up and down the line with the keen-eyed three-year-old baby. Societies and chaplains, anxious for the child, tried to catch him, but O’Hara drifted away, till he came across the woman who took opium and learned the taste from her, and died as poor whites die in India. His estate at death consisted of three papers—one he called his “ ne varietur ” because those words were written below his signature thereon, and another his “clearance-certificate”. The third was Kim’s birth-certificate. Those things, he was used to say, in his glorious opium-hours, would yet make little Kimball a man. On no account was Kim to part with them, for they belonged to a great piece of magic—such magic as men practised over yonder behind the Museum, in the big blue-and-white Jadoo-Gher—the Magic House, as we name the Masonic Lodge. It would, he said, all come right some day, and Kim’s horn would be exalted between pillars—monstrous pillars—of beauty and strength. The Colonel himself, riding on a horse, at the head of the finest
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