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Lord Jim
- Language
- EN
- Format
- EPUB
- Size
- 359 KB
Description
The novel centres on Jim, a young British seaman whose act of abandoning a distressed passenger ship leads to widespread condemnation and the loss of his sailing certificate. Haunted by guilt, Jim leaves his former life behind and relocates to a remote island, where he assumes the identity of "Lord Jim" and gains respect within the local community. His reputation is challenged when a violent marauder arrives, forcing Jim to confront the lasting effects of his earlier actions. The story examines themes of honour, shame, and redemption against the backdrop of maritime adventure and colonial settings in the late 19th and early 20th centuries.
Published initially as a serial between 1899 and 1900, Joseph Conrad's "Lord Jim" reflects modernist concerns with moral ambiguity and psychological depth. The narrative explores the complexities of character and conscience through Jim's internal struggles and external circumstances, set within the context of British maritime enterprise and imperialism during that period.
Published initially as a serial between 1899 and 1900, Joseph Conrad's "Lord Jim" reflects modernist concerns with moral ambiguity and psychological depth. The narrative explores the complexities of character and conscience through Jim's internal struggles and external circumstances, set within the context of British maritime enterprise and imperialism during that period.
From the opening pages
When this novel first appeared in book form a notion got about that I had been bolted away with. Some reviewers maintained that the work starting as a short story had got beyond the writer’s control. One or two discovered internal evidence of the fact, which seemed to amuse them. They pointed out the limitations of the narrative form. They argued that no man could have been expected to talk all that time, and other men to listen so long. It was not, they said, very credible. After thinking it over for something like sixteen years, I am not so sure about that. Men have been known, both in the tropics and in the temperate zone, to sit up half the night ‘swapping yarns’. This, however, is but one yarn, yet with interruptions affording some measure of relief; and in regard to the listeners’ endurance, the postulate must be accepted that the story was interesting. It is the necessary preliminary assumption. If I hadn’t believed that it was interesting I could never have begun to write it. As to the mere physical possibility we all know that some speeches in Parliament have taken nearer six than three hours in delivery; whereas all that part of the book which is Marlow’s narrative can be read through aloud, I should say, in less than three hours. Besides—though I have kept strictly all such insignificant details out of the tale—we may presume that there must have been refreshments on that night, a glass of mineral water of some sort to help the narrator on. But, seriously, the truth of the matter is, that my first thought was of a short story, concerned only with the pilgrim ship episode; nothing more. And that was a legitimate conception. After writing a few pages, however, I became for some reason discontented and I laid them aside for a time. I didn’t take them out of the drawer till the late Mr. William Blackwood suggested I should give something again to his magazine. It was only then that I perceived that the pilgrim ship episode was a good starting-point for a free and wandering tale; that it was an event, too, which could conceivably colour the whole ‘sentiment of existence’ in a simple and sensitive character. But all these preliminary moods and stirrings of spirit were rather obscure at the time, and they do not
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