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Making People Happy
- Language
- EN
- Format
- EPUB
- Size
- 627 KB
Description
This novel is written in the form of a narrative prose that focuses on the personal and social issues faced by its characters. It centres on Cicily Hamilton, a young bride, as she navigates her domestic life and her involvement in social activism related to women's rights. The story depicts her leadership role within the Civitas Club, an organisation where women gather to discuss emancipation and social reform. The plot investigates themes of gender roles, individual fulfilment, and societal expectations during the early 20th century, set against a background of social change.
Set in the period following the turn of the century, the novel reflects contemporary concerns about women's position in society. Its narrative combines elements of social commentary with personal conflict, illustrating the tensions between traditional domestic roles and the desire for independence. The work provides a detailed character study within the context of British social reform movements of the early 1900s.
Set in the period following the turn of the century, the novel reflects contemporary concerns about women's position in society. Its narrative combines elements of social commentary with personal conflict, illustrating the tensions between traditional domestic roles and the desire for independence. The work provides a detailed character study within the context of British social reform movements of the early 1900s.
From the opening pages
The bride hammered the table desperately with her gavel. In vain! The room was in pandemonium. The lithe and curving form of the girl—for she was only twenty, although already a wife—was tense now as she stood there in her own drawing-room, stoutly battling to bring order out of chaos. Usually the creamy pallor of her cheeks was only most daintily touched with rose: at this moment the crimson of excitement burned fiercely. Usually her eyes of amber were soft and tender: now they were glowing with an indignation that was half-wrath. Still the bride beat a tattoo of outraged authority with the gavel, wholly without avail. The confusion that reigned in the charming drawing-room of Cicily Hamilton did but grow momently the more confounded. The Civitas Club was in full operation, and would brook no restraint. Each of the twelve women, who were ranged in chairs facing the presiding officer, was talking loudly and swiftly and incessantly. None paid the slightest heed to the frantic appeal of the gavel.... Then, at last, the harassed bride reached the limit of endurance. She threw the gavel from her angrily, and cried out shrilly above the massed clamor of the other voices: "If you don't stop," she declared vehemently, "I'll never speak to one of you again!" That wail of protest was not without its effect. There came a chorus of ejaculations; but the monologues had been efficiently interrupted, and the attention of the garrulous twelve was finally given to the presiding officer. For a moment, silence fell. It was broken by Ruth Howard, a girl with large, soulful brown eyes and a manner of rapt earnestness, who uttered her plaint in a tone of exceeding bitterness: "And we came together in love!" At that, Cicily Hamilton forgot her petulance over the tumult, and smiled with the sweetness that was characteristic of her. "Really, you know," she confessed, almost contritely, "I don't like to lecture you in my own house; but we came together for a serious purpose, and you are just as rude as if you'd merely come to tea." One of the women in the front row of chairs uttered a crisp cry of approval. This was Mrs. Flynn, a visiting militant suffragette from England. Her aggressive manner and the eager expression of her narrow face with the gleaming black eyes declared that this woman of forty was
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