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Our Mutual Friend

by Charles Dickens

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Language
EN
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EPUB
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19 MB

Description

Set in mid-19th century London, Charles Dickens's novel "Our Mutual Friend" was published in 1864–1865 and stands as his final complete work. The narrative examines the influence of money on personal identities and societal relationships through a web of interconnected characters from diverse social strata. The plot revolves around the presumed death of heir John Harmon, which results in the loss of his fiancée, Bella Wilfer, and her fortune, amid a backdrop of shifting wealth and social mobility. The novel also features the sudden inheritance of wealth by the illiterate Boffins and the struggles of the Hexam siblings to escape poverty, illustrating the novel's thematic focus on material wealth and moral development.

Through its detailed characterisations and plotlines, Dickens offers a critique of Victorian social values, highlighting issues of greed, social class, and human morality. The narrative’s complex structure and satirical tone reflect Dickens's intent to portray the disparities and hypocrisies of contemporary London society, making it a significant contribution to Victorian literature and social commentary.

From the opening pages

In these times of ours, though concerning the exact year there is no need to be precise, a boat of dirty and disreputable appearance, with two figures in it, floated on the Thames, between Southwark bridge which is of iron, and London Bridge which is of stone, as an autumn evening was closing in. The figures in this boat were those of a strong man with ragged grizzled hair and a sun-browned face, and a dark girl of nineteen or twenty, sufficiently like him to be recognizable as his daughter. The girl rowed, pulling a pair of sculls very easily; the man, with the rudder-lines slack in his hands, and his hands loose in his waistband, kept an eager look out. He had no net, hook, or line, and he could not be a fisherman; his boat had no cushion for a sitter, no paint, no inscription, no appliance beyond a rusty boathook and a coil of rope, and he could not be a waterman; his boat was too crazy and too small to take in cargo for delivery, and he could not be a lighterman or river-carrier; there was no clue to what he looked for, but he looked for something, with a most intent and searching gaze. The tide, which had turned an hour before, was running down, and his eyes watched every little race and eddy in its broad sweep, as the boat made slight head-way against it, or drove stern foremost before it, according as he directed his daughter by a movement of his head. She watched his face as earnestly as he watched the river. But, in the intensity of her look there was a touch of dread or horror. Allied to the bottom of the river rather than the surface, by reason of the slime and ooze with which it was covered, and its sodden state, this boat and the two figures in it obviously were doing something that they often did, and were seeking what they often sought. Half savage as the man showed, with no covering on his matted head, with his brown arms bare to between the elbow and the shoulder, with the loose knot of a looser kerchief lying low on his bare breast in a wilderness of beard and whisker, with such dress as he wore seeming to be made out of the mud that begrimed his boat, still…

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