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Pamela, or Virtue Rewarded

by Samuel Richardson

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Description

The novel centers on Pamela Andrews, a fifteen-year-old maidservant who consistently resists the romantic and sexual pursuits of her employer, Mr. B. Using an epistolary format that consists of letters and journal entries, the narrative documents her efforts to uphold her virtue amid numerous challenges, including seduction, attempted assault, and kidnapping. Set in eighteenth-century England, the work examines themes of morality, social hierarchy, and the boundaries of courtship within a context of class distinctions and gender roles.

Published in 1740, it is considered a pioneering work that shaped the development of the English novel. The story highlights the conflicts between personal virtue and societal expectations, reflecting the period’s preoccupations with morality, virtue, and class mobility. Its format and subject matter contributed to ongoing debates about morality and social order in the early eighteenth century.

From the opening pages

Samuel Richardson, the first, in order of time, of the great English novelists, was born in 1689 and died at London in 1761. He was a printer by trade, and rose to be master of the Stationers’ Company. That he also became a novelist was due to his skill as a letter-writer, which brought him, in his fiftieth year, a commission to write a volume of model “familiar letters” as an aid to persons too illiterate to compose their own. The notion of connecting these letters by a story which had interested him suggested the plot of “Pamela”; and determined its epistolary form—a form which was retained in his later works. This novel (published 1740) created an epoch in the history of English fiction, and, with its successors, exerted a wide influence upon Continental literature. It is appropriately included in a series which is designed to form a group of studies of English life by the masters of English fiction. For it marked the transition from the novel of adventure to the novel of character—from the narration of entertaining events to the study of men and of manners, of motives and of sentiments. In it the romantic interest of the story (which is of the slightest) is subordinated to the moral interest in the conduct of its characters in the various situations in which they are placed. Upon this aspect of the “drama of human life” Richardson cast a most observant, if not always a penetrating glance. His works are an almost microscopically detailed picture of English domestic life in the early part of the eighteenth century. PAMELA, or VIRTUE REWARDED LETTER I DEAR FATHER AND MOTHER, I have great trouble, and some comfort, to acquaint you with. The trouble is, that my good lady died of the illness I mentioned to you, and left us all much grieved for the loss of her; for she was a dear good lady, and kind to all us her servants. Much I feared, that as I was taken by her ladyship to wait upon her person, I should be quite destitute again, and forced to return to you and my poor mother, who have enough to do to maintain yourselves; and, as my lady’s goodness had put me to write and cast accounts, and made me a little expert at my needle, and otherwise qualified above my degree, it was not every…

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