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Poems
- Language
- EN
- Format
- EPUB
- Size
- 164 KB
Description
This collection comprises poems composed by Mary Baker Eddy during her lifetime, spanning from her early years to later periods. The poems were written spontaneously in response to personal experiences, reflections, and observations, rather than for publication. They cover themes such as love, faith, healing, nature, and spiritual understanding, aligning with Eddy's teachings in Christian Science. Many poems were inspired by natural elements or moments of inspiration, exemplifying her contemplation of the divine and the harmony between spirituality and everyday life. The work provides insight into Eddy’s personal spiritual reflections and the development of her ideas, expressed through poetic form. The collection does not follow a unifying narrative but rather presents a diverse array of poetic expressions rooted in her lifelong pursuit of divine truth.
The poems serve as a reflection of Eddy's spiritual insights, revealing her contemplations on divine love, the healing power of faith, and the importance of understanding God. They are characteristic of late 19th and early 20th-century poetic conventions and are influenced by her religious beliefs and personal experiences.
The poems serve as a reflection of Eddy's spiritual insights, revealing her contemplations on divine love, the healing power of faith, and the importance of understanding God. They are characteristic of late 19th and early 20th-century poetic conventions and are influenced by her religious beliefs and personal experiences.
From the opening pages
The poems garnered up in this little volume were written at different periods in the life of the author, dating from her early girlhood up to recent years. They were not written with a view of making a book, each poem being the spontaneous outpouring of a deeply poetic nature and called forth by some experience that claimed her attention. The "Old Man of the Mountain," for instance, was written while the author was contemplating this lofty New Hampshire crag, whose rugged outlines resemble the profile of a human face. Inspired by the grandeur of this masterpiece of nature's handiwork, and looking "up through nature, unto nature's God," the poem began to take form in her thought, and alighting from her carriage, she seated herself by the roadside and began to write. Some tourists who were passing, and who made her acquaintance, asked her what she was writing, and she replied by reading the poem to them. They were so pleased with it that each requested a copy, which was subsequently mailed to them. Similar requests continued to reach the author for years afterward, until the poem finally found its way into print, appearing, together with "The Valley Cemetery," in a book "Gems for You," published in Manchester, N. H., in 1850, and again in Boston, in 1856. The poem on the "Dedication of a Temperance Hall," in Lynn, Mass., in 1866, was written for that occasion, and was sung by the audience as a dedicatory hymn. "The Liberty Bells" appeared in a Lynn, Mass., newspaper, under the date of February 3, 1865. A note from the author, which was published with the poem, read as follows: " Mr. Editor :— In 1835 a mob in Boston (although Boston has since been the pioneer of anti-slavery) dispersed a meeting of the Female Anti-Slavery Society, and assailed the person of William Lloyd Garrison with such fury that the city authorities could protect him nowhere but in the walls of a jail. To-day, by order of Governor Andrew, the bells are ringing to celebrate the passing of a resolution in Congress prohibiting slavery in the United States." All of the author's best-known hymns are included in this collection, as well as many poems written in girlhood and during the years she resided in Lynn, Mass., and which appeared in various publications of that day. Among her earliest poems are "Upward," "Resolutions for…
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