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Prudence Says So
- Language
- EN
- Format
- EPUB
- Size
- 570 KB
Description
Prudence, the eldest sister in a lively early 20th-century American parsonage family, functions as a maternal figure within her household. The narrative focuses on her efforts to organise and uphold the household's routines amid the unpredictable behaviour of her four younger sisters. The arrival of their Aunt Grace acts as a catalyst for exploring family responsibilities, growth, and the dynamics of sibling relationships. The opening scenes depict the bustling preparations at the parsonage, highlighting Prudence's role in managing her sisters' mischief and ensuring they present themselves properly. The novel portrays the everyday challenges faced by a matriarchal figure balancing affection, discipline, and the demands of family life during this period.
Set in a small American community, the story reflects themes of familial duty, youthfulness, and the social norms of the early 20th century. Ethel Hueston's work examines how family bonds are maintained amidst chaos and change, presenting a detailed portrayal of domestic life and personal development within a religious context.
Set in a small American community, the story reflects themes of familial duty, youthfulness, and the social norms of the early 20th century. Ethel Hueston's work examines how family bonds are maintained amidst chaos and change, presenting a detailed portrayal of domestic life and personal development within a religious context.
From the opening pages
Prudence stood at the foot of the stairs, deftly drawing on her black silk gloves,—gloves still good in Prudence's eyes, though Fairy had long since discarded them as unfit for service. There was open anxiety in Prudence's expression, and puckers of worry perpendicularly creased her white forehead. "Girls!" she called again. "Come down! Father, you'd better hurry,—it's nearly train time. Girls, are you deaf!" Her insistence finally brought response. A door opened in the hallway above, and Connie started down the stairs, fully dressed, except that she limped along in one stocking-foot, her shoe in her hand. "It's so silly of you to get all dressed before you put on your shoes, Connie," Prudence reproved her as she came down. "It wrinkles you up so. But you do look nice. Wasn't it dear of the Ladies' Aid to give you that dress for your birthday? It's so dainty and sweet,—and goodness knows you needed one. They probably noticed that. Let me fix your bow a little. Do be careful, dear, and don't get mussed before we come back. Aunt Grace will be so much gladder to live with us if we all look sweet and clean. And you'll be good, won't you, Connie, and—Twins, will you come!" "They are sewing up the holes in each other's stockings," Connie vouchsafed. "They're all dressed." The twins, evidently realizing that Prudence's patience was near the breaking point, started down-stairs for approval, a curious procession. All dressed as Connie had said, and most charming, but they walked close together, Carol stepping gingerly on one foot and Lark stooping low, carrying a needle with great solicitude,—the thread reaching from the needle to a small hole on Carol's instep. "What on earth are you doing?" "I'm sewing up the holes in Carol's stocking," Lark explained. "If you had waited a minute I would have finished—Hold still, Carol,—don't walk so jerky or you'll break the thread. There were five holes in her left stocking, Prudence, and I'm—" Prudence frowned disapprovingly. "It's a very bad habit to sew up holes in your stockings when you are wearing them. If you had darned them all yesterday as I told you, you'd have had plenty of—Mercy, Lark, you have too much powder on!" "I know it,—Carol did it. She said she wanted me to be of an intellectual pallor." Lark mopped her face with one hand.
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