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Short Stories

by Fyodor Dostoyevsky

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Description

This collection of short stories by Fyodor Dostoyevsky comprises narratives written in the late 19th century that examine human psychology, moral conflicts, and social issues within Russian society. The stories are structured as individual sketches, each presenting a different character and situation, often through the perspective of the narrator or protagonist. A notable story, "An Honest Thief," depicts a bachelor and his interactions with his housekeeper and a lodger, highlighting themes of empathy, loneliness, and morality. The opening story begins with a private conversation in the bachelor’s household, providing insight into everyday domestic life and social relations of the period.

Dostoyevsky’s stories are characterised by their psychological depth and focus on moral dilemmas faced by ordinary individuals. The narratives are set in late 19th-century Russia and reflect contemporary social realities, often exploring the darker aspects of human nature. The collection exemplifies the author’s skill in portraying complex characters and their internal conflicts through concise, self-contained stories.

From the opening pages

One morning, just as I was about to set off to my office, Agrafena, my cook, washerwoman and housekeeper, came in to me and, to my surprise, entered into conversation. She had always been such a silent, simple creature that, except her daily inquiry about dinner, she had not uttered a word for the last six years. I, at least, had heard nothing else from her. "Here I have come in to have a word with you, sir," she began abruptly; "you really ought to let the little room." "Which little room?" "Why, the one next the kitchen, to be sure." "What for?" "What for? Why because folks do take in lodgers, to be sure." "But who would take it?" "Who would take it? Why, a lodger would take it, to be sure." "But, my good woman, one could not put a bedstead in it; there wouldn't be room to move! Who could live in it?" "Who wants to live there! As long as he has a place to sleep in. Why, he would live in the window." "In what window?" "In what window! As though you didn't know! The one in the passage, to be sure. He would sit there, sewing or doing anything else. Maybe he would sit on a chair, too. He's got a chair; and he has a table, too; he's got everything." "Who is 'he' then?" "Oh, a good man, a man of experience. I will cook for him. And I'll ask him three roubles a month for his board and lodging." After prolonged efforts I succeeded at last in learning from Agrafena that an elderly man had somehow managed to persuade her to admit him into the kitchen as a lodger and boarder. Any notion Agrafena took into her head had to be carried out; if not, I knew she would give me no peace. When anything was not to her liking, she at once began to brood, and sank into a deep dejection that would last for a fortnight or three weeks. During that period my dinners were spoiled, my linen was mislaid, my floors went unscrubbed; in short, I had a great deal to put up with. I had observed long ago that this inarticulate woman was incapable of conceiving a project, of originating an idea of her own. But if anything like a notion or a project was by some means…

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