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Spoon River Anthology

by Edgar Lee Masters

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Set in a fictional small town in Illinois, Edgar Lee Masters' "Spoon River Anthology" was published in 1915 during a period of American literary modernism. The collection consists of 244 free verse epitaphs spoken by the deceased residents of the town, each sharing their personal stories posthumously. The poems provide insights into the lives, secrets, and deaths of the town's inhabitants, revealing their true natures beyond social facades. Through this technique, Masters examines themes of memory, mortality, and social hypocrisy, illustrating the complex relationships and hidden scandals that underpin small-town life in early twentieth-century America.

The work functions as a mosaic of individual voices, offering a stark and unvarnished portrayal of small-town American society. It reflects the author's interest in regional life and the human condition, employing poetic devices to explore themes of death, identity, and societal pretenses. As a pioneering example of American vernacular poetry, "Spoon River Anthology" remains a significant work in American literature for its innovative structure and candid depiction of community life.

From the opening pages

The weak of will, the strong of arm, the clown, the boozer, the fighter? All, all are sleeping on the hill. One passed in a fever, One was burned in a mine, One was killed in a brawl, One died in a jail, One fell from a bridge toiling for children and wife— All, all are sleeping, sleeping, sleeping on the hill. Where are Ella, Kate, Mag, Lizzie and Edith, The tender heart, the simple soul, the loud, the proud, the happy one?— All, all are sleeping on the hill. One died in shameful child-birth, One of a thwarted love, One at the hands of a brute in a brothel, One of a broken pride, in the search for heart’s desire; One after life in far-away London and Paris Was brought to her little space by Ella and Kate and Mag— All, all are sleeping, sleeping, sleeping on the hill. Where are Uncle Isaac and Aunt Emily, And old Towny Kincaid and Sevigne Houghton, And Major Walker who had talked With venerable men of the revolution?— All, all are sleeping on the hill. They brought them dead sons from the war, And daughters whom life had crushed, And their children fatherless, crying— All, all are sleeping, sleeping, sleeping on the hill. Where is Old Fiddler Jones Who played with life all his ninety years, Braving the sleet with bared breast, Drinking, rioting, thinking neither of wife nor kin, Nor gold, nor love, nor heaven? Lo! he babbles of the fish-frys of long ago, Of the horse-races of long ago at Clary’s Grove, Of what Abe Lincoln said One time at Springfield. Hod Putt Here I lie close to the grave Of Old Bill Piersol, Who grew rich trading with the Indians, and who Afterwards took the Bankrupt Law And emerged from it richer than ever Myself grown tired of toil and poverty And beholding how Old Bill and others grew in wealth Robbed a traveler one Night near Proctor’s Grove, Killing him unwittingly while doing so, For which I was tried and hanged. That was my way of going into bankruptcy. Now we who took the bankrupt law in our respective ways Sleep peacefully side by side. Ollie McGee Have you seen walking through the village A man with downcast eyes and haggard face? That is my husband who, by secret cruelty Never to be told, robbed me of my…

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