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Sundry Accounts

by Irvin S. (Irvin Shrewsbury) Cobb

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Language
EN
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EPUB
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340 KB

Description

Set in an early 20th-century American town, the narrative centres on Dudley Stackpole, a man burdened by a violent past. The story examines his psychological state following a duel in which he kills a man, an act that leads to social ostracism and personal torment. The opening depicts a mysterious house on Clay Street, perpetually illuminated despite the surrounding darkness, symbolising Stackpole's own psychological darkness and fear. The narrative explores themes of guilt, social isolation, and the human struggle to confront one’s history. Through this setting and character focus, the work provides insight into the complexities of conscience and the effects of past actions on present life.

The novel is a fictional account that reflects early 20th-century American literature's interest in individual morality and social mores, situating personal tragedy within a small-town environment. It employs a straightforward narrative style to depict the internal and external worlds of its characters, highlighting the lasting impact of past deeds on personal identity and community relations.

From the opening pages

There was a house in this town where always by night lights burned. In one of its rooms many lights burned; in each of the other rooms at least one light. It stood on Clay Street, on a treeless plot among flower beds, a small dull-looking house; and when late on dark nights all the other houses on Clay Street were solid blockings lifting from the lesser blackness of their background, the lights in this house patterned its windows with squares of brilliancy so that it suggested a grid set on edge before hot flames. Once a newcomer to the town, a transient guest at Mrs. Otterbuck's boarding house, spoke about it to old Squire Jonas, who lived next door to where the lights blazed of nights, and the answer he got makes a fitting enough beginning for this account. This stranger came along Clay Street one morning, and Squire Jonas, who was leaning over his gate contemplating the world as it passed in review, nodded to him and remarked that it was a fine morning; and the stranger was emboldened to stop and pass the time of day, as the saying goes. "I'm here going over the books of the Bernheimer Distilling Company," he said when they had spoken of this and that, "and, you know, when a chartered accountant gets on a job he's supposed to keep right at it until he's done. Well, my work keeps me busy till pretty late. And the last three nights, passing that place yonder adjoining yours, I've noticed she was all lit up like as if for a wedding or a christening or a party or something. But I didn't see anybody going in or coming out, or hear anybody stirring in there, and it struck me as blamed curious. Last night—or this morning, rather, I should say—it must have been close on to half-past two o'clock when I passed by, and there she was, all as quiet as the tomb and still the lights going from top to bottom. So I got to wondering to myself. Tell me, sir, is there somebody sick over there next door?" "Yes, suh," stated the squire, "I figure you might say there is somebody sick there. He's been sick a powerful long time too. But it's not his body that's sick; it's his soul." "I don't know as I get you, sir," said the…

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