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Supermind
- Language
- EN
- Format
- EPUB
- Size
- 380 KB
Description
Set in the early 1960s, "Supermind" by Randall Garrett and Laurence M. Janifer is a science fiction novel that explores themes of telepathy, prescience, and government security. The narrative follows FBI agent Kenneth J. Malone, who possesses extraordinary mental abilities such as teleportation and limited prescience, as he investigates a series of inexplicable computer errors and sabotage within the federal government. The story reflects anxieties about bureaucratic inefficiency and unseen forces manipulating national affairs, set against a backdrop of a technologically advancing society.
Throughout the novel, Malone’s abilities are central to uncovering the nature of the threat and navigating a complex web of telepathy and deception. The plot presents a speculative vision of future technology and psychic phenomena influencing political and security issues, characteristic of science fiction works of the early 1960s. The novel combines elements of crime, thriller, and mystery genres within a science fiction framework.
Throughout the novel, Malone’s abilities are central to uncovering the nature of the threat and navigating a complex web of telepathy and deception. The plot presents a speculative vision of future technology and psychic phenomena influencing political and security issues, characteristic of science fiction works of the early 1960s. The novel combines elements of crime, thriller, and mystery genres within a science fiction framework.
From the opening pages
Extensive research did not uncover any evidence that the copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. The word “PLaza” (two capital letters) was correct usage to designate a telephone exchange at the time the story was written. It has been left as printed. Supermind Mark Phillips Supermind 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 In 1914, it was enemy aliens. In 1930, it was Wobblies. In 1957, it was fellow travelers. In 1971, it was insane telepaths. And, in 1973: “We don’t know what the hell it is,” said Andrew J. Burris, Director of the FBI. He threw his hands in the air and looked baffled and confused. Kenneth J. Malone tried to appear sympathetic. “What what is?” he asked. Burris frowned and drummed his fingers on his big desk. “Malone,” he said, “make sense. And don’t stutter.” “Stutter?” Malone said. “You said you didn’t know what it was. What the hell it was. And I wanted to know what it was.” “That’s just it,” Burris said. “I don’t know.” Malone sighed and repressed an impulse to scream. “Now wait a minute, Chief—” he started. Burris frowned again. “Don’t call me Chief,” he said. Malone nodded. “Okay,” he said. “But if you don’t know what it is, you must have some idea of what you don’t know. I mean, is it larger than a breadbox? Does it perform helpful tasks? Is it self-employed?” “Malone,” Burris sighed, “you ought to be on television.” “But—” “Let me explain,” Burris said. His voice was calmer now, and he spoke as if he were enunciating nothing but the most obvious and eternal truths. “The country,” he said, “is going to hell in a handbasket.” Malone nodded again. “Well, after all, Chief—” “Don’t call me Chief,” Burris said wearily. “Anything you say,” Malone agreed peacefully. He eyed the Director of the FBI warily. “After all, it isn’t anything new,” he went on. “The country’s always been going to hell in a handbasket, one way or another. Look at Rome.” “Rome?” Burris said. “Sure,” Malone said. “Rome was always going to hell in a handbasket, and finally it—” He paused. “Finally it did, I guess,” he said. “Exactly,” Burris said. “And so are we. Finally.” He passed a hand over his forehead and stared past Malone at…
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